“Fun-time Ensemble” part one…

Advance 8990

Say hello to the lovely ladies of Advance 8990 – a 1959 pattern for a playsuit and skirt. I did have a momentary pause about making what is, after all, a glorified onesie, but it looked like a useful garment for wearing in the heat. I like that it’s quite a formal-looking romper, what with the collar and turned-back sleeves, but I particularly like the idea of popping a matching skirt over the top so that you’ve instantly got a nice smart dress!

Advance 8990

I asked for Paul’s opinion (as I usually do) before I bought the pattern, and was met with an emphatic shaking of the head. Oh dear. To be honest, I think he was put off by the rather alarming hat-and-balaclava combination, which I definitely won’t be attempting to carry off! But honestly. How could I possibly resist a pattern that describes itself as a “Fun-time Ensemble”? I’m only disappointed that it doesn’t list “novelty prints” amongst the suitable fabrics. (Rest assured though – a novelty print version will be forthcoming at some stage.) It could only be better if it had a raglan sleeve.

Advance 8990

I was quite excited to discover that the pattern, despite being 56 years old, was actually brand new and still in its factory folds! Unfortunately, it looks as though it perhaps hasn’t been stored in the best conditions, because the paper was incredibly fragile – more so than any other vintage pattern I’ve come across so far. I managed to tear the pieces several times as I was unfolding them and cutting them out, so I think drastic measures are going to be called for. I expect to be using this pattern more than once, so I think I’m going to iron the pieces onto some lightweight interfacing to stabilise them. I know this will effectively destroy the original pattern, but it’s in such poor condition that it’s pretty much ruined anyway. Normally I’d trace the pieces onto stronger paper, but the originals are just going to fall apart in the envelope, so I might as well make sure that I can use them for the purpose for which they were intended.

(The museum/conservation person in me is writhing in horror at the prospect of ironing these pattern pieces onto adhesive interfacing. But I do believe that these things are made to be used, and this particular example is no longer of a quality worth trying to preserve in its original state. So, I’m doing it anyway.)

Advance 8990

According to the envelope, the “Front-buttoned flared skirt wears its pockets in side front seams.” I spent ages looking for the pocket pattern, thinking that the piece on the left was some kind of cuff or trim. Nope – it’s the pocket. But it’s tiny! The innermost dashed line marks the seam allowance, which will be the finished size of the pocket – and I can’t even get my hand inside it! What were the designers thinking?! I don’t know what the lady of 1959 was expecting to be able to keep in there, but it must have been very small.

When I make the skirt, I’m going to substitute the pockets from my new Marcy Tilton pattern, Vogue 9112. You know, ones I can actually fit my hands into. I’ll probably add slightly smaller pockets to the playsuit as well, just because. You can never have too many pockets.

Advance 8990

I have to say that the instructions for this pattern are pretty sparse. They basically say “cut out pieces; make playsuit”. So when I followed an instruction that said “clip to small dots”, I did so… but apparently in the wrong direction. This extremely neat little triangular hole is at the bottom of the front placket. I can patch it so that it looks deliberate, but it’s not the best place for a hole in a pair of shorts, really! I will now be annotating the instructions on a separate piece of paper, as I go along.

Advance 8990

This attractive pale pink poly-cotton was just a piece of left-over fabric sitting in the stash, and I’m very glad that I decided to use it to try out the pattern before cutting it out in decent fabric! These pins represent a slightly unusual alteration, in that I’m taking 6cm out of the length at the too-long centre front, and then tapering it out to nothing at the side seams because the back is the perfect length.

I was a bit confused about this at first – how could the back length be fine, but the front be far too long? However, I think what I’m actually doing here is making a sway back/big bum alteration in reverse. Normally I’d expect to lengthen the centre back to create extra room, but I’d also expected the playsuit to be too long overall, because I’m very short in the body. As a result, the back is fine as it is, which makes the front too long by comparison. It’s all very complicated!

The only other alteration I’m going to need to make is to add a couple of inches of width at the hips. The shorts fit, but they’re quite snug, and it looks a bit out of balance with the rest of the garment being so loose. Adding a little bit of extra ease will give me the space to include the pockets, too.

I have to admit that the temptation to run down to the local fabric shop and snap up five metres of lots of different cheap novelty-print cottons is very high. But I do have some fabric in the stash that I can use up first, and I’m still trying as hard as I can not to buy non-organic cottons. We’ll see how long my resolve lasts.

Smart Casual

merl_chicken

I work in a museum where the dress code is “smart casual”. For many of the staff, this most often means jeans, converse, and a nice top of some description. Maybe a White Stuff or Boden dress. For the visitor services desk (where I work), it means probably not jeans, and primarily Something Warm. The museum’s temperature controlled, to look after the objects, and of course the front door’s opening all the time, so it’s largely freezing. As someone who’s pretty much always largely freezing myself, this has been presenting some sartorial challenges lately. There have been days where, despite the heater nestled under the desk, I simply haven’t taken my coat off, which doesn’t look terribly smart! (Normal rules don’t apply when you’re in the museum’s garden, holding a chicken. Obviously. I love my job.)

10414450_10153106962778829_244072257356306818_nTo try and overcome my chilliness I have been knitting a cardigan… but I’m a very slow knitter, and I’m still only a back and half a sleeve into this one. Once I get into the cables, it could be a fair while before this cardi sees the light of day. Sewing, of course is much quicker, so I’ve been on the lookout for a nice smart jacket pattern that I could whip up in lots of colours to match all my different trousers.

V1435

This is Vogue 1435, a very smart suit by Tom & Linda Platt. I’ll never wear the dress (not least because I can no longer reach behind myself to do up a back zip – stupid fibromyalgia), but the draped jacket looks as though it would be interesting to sew, and easy to wear like a cardigan over lots of different tops. The collar would keep the back of my neck warm, and it wouldn’t look as though I’ve left my outdoor coat on indoors. The pattern recommends both tweed and linen, so that’s summer and winter covered right there!

I’ve been waiting for a pattern sale to come along, because Vogue patterns at full price are out of my budget, so I almost always buy them in a sale. Except I obviously wasn’t paying enough attention, because the sale in my local fabric shop ended yesterday. Drat.

But!

The pattern sale also means new patterns, and Marcy Tilton blogged about two new dresses that she’s designed for Vogue, so I had to go and check them out.

V9112

This is Vogue 9112, the “cirque” dress. It looks a bit short because the model’s extremely tall, but a centre back length of 35″ should bring it just about down to my knees. Again, the big collar should keep the back of my neck warm, the loose shape makes it perfect for wearing over trousers, and of course it has the all-important pockets, tucked away in the side seams. Unusually, this dress is shown in only one fabric, but I think the piecing means it would work well in different colours. As with all of Marcy’s patterns, the construction is a bit of a jigsaw puzzle, but the resulting shape makes it worth the extra little bit of brain power required.

V9108

This one’s Vogue 9108, the “apron” dress. Designed as a layering piece, it comes complete with patterns for leggings and a long-sleeved t-shirt to wear underneath. Like several of Marcy’s dresses it’s longer at the front than the back, though I think that could be easily altered on this one if you felt like it. It’s designed for stretch knits, so this would be an extremely comfortable summer dress. (There’s also a version with crossover straps at the back, which reminds me of a dress I wore constantly during the early 1990s.)

But!

I’ve made two Marcy Tilton dresses already, and I simply don’t wear them very much.

Vogue 8975

I blogged about the construction of Vogue 8975, but I haven’t worn the resulting dress more than a few times, even though it’s extremely comfortable and I really like it. Firstly, I think I made a mistake with the neckline because no matter how much I iron it, it simply refuses to stay flat. Very irritating. So I think I need to unpick that and do it again. Secondly, I’m just not quite convinced that it’s smart enough to wear to work. I have done, and nobody’s complained… but it’s not quite on a par with the Tom & Linda Platt lady in her nice swingy jacket, is it?

Vogue 8813

I made this one in January 2014, and despite being deeply in love with it, I don’t think I’ve worn it once. Okay, so the tea-dyed fabric was an experiment, and I like the way it looks, but honestly, I can’t go to work in a dress covered in (albeit deliberate) tea stains, no matter how comfortable it is. And given the colour, and the smocking, and the nature of the museum… it’s just going to look as though I’ve borrowed a 19th century smock straight out of the collection. Not ideal.

I could re-make it in a different fabric (I have plenty, and I had lots of ideas and enthusiasm once I’d finished making it!), but at the end of the day, will I ever actually put on the resulting dress and wear it? I don’t know.

I go through these phases every now and then, of deciding that I must dress more smartly for work. Sometimes it’s brogues and button-down shirts. Sometimes it’s a nice tweed jacket. Sometimes it’s vintage dresses, novelty print blouses, or lots of organic cotton chinos.

Is it time to grow up, smarten up, and become the sort of woman who wears a smart jacket to work? Or is it time to embrace my inherent need for comfort and desire for funny-shaped clothes, and just give in to the eccentric middle-aged art teacher look? And more to the point, how on earth do I decide?

Dress Success!

17/5/14

You remember that whole work/life balance thing that I was talking about the other week? It seems to have toppled over slightly. It happened not least because I was working towards an Inexplicable Emporium stall that took place at work, at our Museums at Night event. The combination of making sure I had enough stock ready on time, coupled with staying out long past my bedtime, and then compounded by an extremely hectic day off, have led to me hobbling to work today with my walking stick, because I was simply too exhausted to stand up all by myself. Oops.

But! The event itself was a fantastic night out, we sold enough stock to make all the effort worthwhile, and I managed to finish my new dress in time to wear it. Phew!
(Note to self: NEVER wear those shoes again. Beautiful, but so uncomfortable. Ouch.)

Advance 8065, 1956 dress pattern

The pattern is Advance 8065, a shirtwaist dress from 1956, in an extremely modern-proportioned size 18½. Next time I need to shorten the back bodice ever so slightly, but otherwise it’s an absolutely perfect fit. And after wondering whether I’d ever wear it again after the Vintage Night, the answer is a very definite yes! The dress was so comfortable, and so easy to wear, that it’s actually going into my work wardrobe rather than my Special Occasions pile.

I only made one alteration to the pattern, and that was to eliminate the side zip. Because the bodice front matches up with the side front skirt seam, it was easy to simply leave that seam open a few inches, add a placket, and then close it again with snap fasteners. Next time I’ll add two more buttons, but I needed to get this one finished in a hurry and didn’t have time to hand-stitch two more buttonholes!

In fact, I enjoyed wearing this dress so much that I may have already bought the fabric for another one… to match my niece’s Christmas dress. Because honestly, how could I resist a navy blue dress that’s COVERED IN BEES, with buttons to match?

Ups and downs

"My face hurts"  First drawing with Sketches on the ipad, 17/02/14

So, last Friday was Valentine’s Day. In our continued tradition of unequal gift-giving, I gave my husband a card, and he gave me an iPad! Admittedly he was going to give me the iPad anyway – he’s just upgraded to a new one, and I’ve inherited his old one with a nice new case. But he certainly gained a great deal of brownie points by wrapping it up in lovely paper!

I’ve been downloading lots of exciting new apps, mostly ones for drawing and sketching with. I’ve chosen a few free ones that I can try out, before I decide which ones I like best and want to pay for. The drawing above was done with an app called Sketches, and it mirrors the theme of this past week. It’s titled “My Face Hurts”.

Fibromyalgia + toothache = unhappy face.

Also on Valentine’s Day, I had to go to the dentist. Luckily we didn’t have a romantic meal planned for the evening, because I ended up having a tooth taken out! Four days later it’s still really painful, and the fibromyalgia doesn’t like it at all. Much to my frustration my face now acts as a warning beacon when I’m in a lot of pain, and this is how I came home from work today. Lovely! Given that I have a public-facing job, and it’s half term this week, I can only hope that I’m not scaring too many children away from the museum!

Green Cardigan

This rather different picture of me, from all the way back in 2008, is the cover photo for the first knitting pattern I designed. After a comment left on the blog by someone trying to track down a copy, I was prompted to open my own Ravelry store, and this is currently the only pattern in it.

I do have three existing patterns that I can add (also available in the Tutorials section to the right there), but I need to work out how to do that without duplicating the original patterns, as I seem to have done with this cardigan. I also have two completely new patterns ready and waiting, but they’re both waiting for photographs. All of my test knits were given away as Christmas presents, so I need to sit down and knit some new ones so that I can have a photo shoot. The temptation to dye my hair pink for the occasion is now extremely high!

Simplicity 3968 – complete!

Simplicity 3968 (1952)

Please excuse the state of my garden. We’re in the process of moving house, so we finally had to do something about the terrible mess. The move has come about a little bit suddenly, so our plans for the garden have changed, but it’s all coming along very quickly which is nice.

Simplicity 3968 (1952)

So, you saw the toile of Simplicity 3968 the other day, and since then I’ve been hunting in my fabric stash to find something appropriate. This is a linen blend – I thought it was blended with wool, but the more I’ve handled it, the more I think it might be polyester. I obviously bought it before my self-imposed ban on man-made fibres. It makes a pretty nice dress though!

Simplicity 3968 (1952)

I’m pleased with the v-neck. It’s nice and neat, if you ignore the little wiggle on the right – that’ll press out with a bit of steam. I think it shows off the collar of the shirt underneath very nicely. I was a bit concerned that the neck would be so high that you would barely see the shirt at all.

Simplicity 3968 (1952)

The back, however, was nowhere near as cut away as I’d expected from a dress described as a “halter”. Once I had the neckline finished and the bodice and lining basted together, I decided to make an alteration to the armscye to make it much deeper at the back. I took the plunge and drew this freehand. I then used the piece I’d cut away to make the identical alteration on the other side.

Simplicity 3968 (1952)

The change was then translated to the pattern, so I can make the next one the same.

Simplicity 3968 (1952)

Much better! I like the waistcoat effect, which shows off more of the shirt fabric underneath, and allows for a greater range of arm movement without pulling across the back of the dress.

Simplicity 3968 (1952)

My absolute favourite part of this pattern though – in fact the entire reason I bought it – is the pockets. Look at them! They’re absolutely ENORMOUS. Despite that, I don’t think they draw an unnecessary amount of attention to themselves. They do stand slightly away from the skirt, which was an oversight on my part. I made the four panels of the skirt slightly narrower (to make the pattern pieces fit more easily on my sewing table!), but forgot to change the placement of the markings for the pockets. Next time I’ll try and remember to sew them on flat!


HEPZIBAH image © Fairysteps

The belt, for anyone who’s wondering, is the fabulous Hepzibah, courtesy of Fairysteps. I might have accidentally bought a turquoise one as well.

I plan to wear this dress to work tomorrow, so I’ll be able to see straight away whether it’s the right length, and is easy to wear. There’ll be the usual amount of sitting on the floor, rummaging about in cupboards and generally making a mess, so anything I wear to work has to be able to cope with a lot of abuse! I’m hoping this will turn out to be the dress equivalent of jeans – comfortable, but hard-wearing and practical.

Simplicity 3968 – Toile

This is Simplicity 3968, a pinafore (jumper) dress pattern from 1952. You may guess that I bought it solely because of the hilariously large pockets, and of course you’d be absolutely right!

I plan to wear it for work, over the top of my smart TM Lewin shirts. I needed the fit to be right, so I pulled out some plain polycotton fabric and made a test version. The added complication was that this pattern doesn’t actually exist in a size that’s quite big enough for me (a 1952 size 18 being significantly smaller than a modern one), so I had to make some alterations as I was going along.

Simplicity 3968 - toile

I’m very pleased to say that it’s come out really well! All the pieces fitted back together once I’d finished fiddling about with them, which is always a good start. The main change I need to make is to balance the front of the bodice, between the darts, so that the waist seam sits flat instead of curving upwards. The next challenge will come when I have to put in the zip at the side. The skirt panels are on the bias at the side seams, so there’s potential for it all pulling out of shape and going horribly wrong. I think a little bit of seam binding at that point, or perhaps a small facing, might help everything to stay in place.

Now I just need to decide on the perfect fabric. I have a few lightweight options in the stash, but nothing heavier. I know it’s supposed to be nearly summer, but somehow this lovely Harris Tweed from Merchant & Mills, or an organic cotton corduroy, seem much more appropriate than a shirt weight cotton right now.

Floral fabric and vintage knickers

1980s underwear

I had intended to spend this morning sewing, but the temperature in the Shed soon put paid to that. It took an hour and a half for the little heater to force its way into double figures. Brrr! I think this is perhaps the only disadvantage of working in a Shed in the garden – it’s blooming cold when it snows!

By the time I’d spent half the morning sending work-related emails (on a day when I’m not at work, more fool me), it seemed pointless to start something when I have to go out this afternoon to catalogue some more beetles.

So, here are my latest bargains from the weekend!

The fabric is a £3.49/m cotton from Fabric Land, and it’s creased because it’s been through a 60° wash and the tumble dryer. This is a much harsher treatment than it’s ever going to receive once it’s a dress, so I can be confident that it won’t shrink or otherwise misbehave in the wash once I’ve spent ages making it. Paul mumbled something about cushions when I showed it to him. Rude.

The pattern was a bargain from my local Sue Ryder shop, in the centre of Reading, which has a large Retro and Vintage section that I love to bits. I’m not sure whether 1988 (the date of this pattern) counts as either Retro or Vintage, but it was 25 years ago… which certainly makes me feel old!

Anyway, the pattern only cost £2, and although some of it’s been cut up and sellotaped back together (argh!), the part that I really wanted is still intact. That’s the two different styles of french knickers, which I plan to make both in printed cotton and in bamboo. The pattern’s a size too small for me, but I plan to cheat it by sewing with smaller seam allowances.

I wonder whether I actually do have time to run up a quick pair now, before I go off to my beetles…?

Simplicity 2184 – it’s here!

Patterns from HoneymoonBus

Wow, that was quick. It took less than ten days for my PERFECT PATTERN to reach me, all the way from Canada! Bless her, Zoe from HoneymoonBus had already sent me a lovely convo via Etsy, to say thank you for mentioning her on my blog, and to let me know that she’d included a little gift. I didn’t know it was going to be a second pattern! That one’s Simplicity 3224, a sundress from 1950 with the options of fantastically enormous pockets and a matching bolero jacket. Fantastic! That one doesn’t have its original envelope, but thanks to The Magic of the Internet I’ve been able to track one down, so I can see how much fabric I’ll need to make it.

And just look at this simply gorgeous promotional needle case from Sunbeam Bread:

Vintage needle case

Isn’t it a beauty? Almost completely intact, you can just see where a couple of needles are missing from the right-hand green panel. On the back is a little paragraph explaining that adding vitamins to bread doesn’t affect its taste or texture, and reassuring us that it’s the best way of staying healthy.

The Pattern!

And here’s the pattern itself! I’m really pleased that Simplicity patterns were printed ones by the 1950s, as unprinted dress patterns tend to confuse me a bit. This one seems to have been made up as a short-sleeved blouse – the long sleeve and skirt pieces remain uncut. The previous owner had also done exactly what I was going to do, which is to take about an inch out of the bodice length to make it smaller – her original folds are still in place!

Once I’ve given all the pieces a gentle smoothing with the iron, I’ll trace them to keep the original safe for future use. I also need to make a few alterations, and it’ll be much better for me to scribble all over a new brown paper pattern than on this original one.

I popped into town yesterday to buy some frog fastenings and sequin trim to finish off my velvet cape, but both were out of stock and I had to order them in. Now I don’t feel so bad about putting the coat to one side while I start work on these lovely dresses!

Oh, and the reason I ended up buying from HoneymoonBus, rather than one of the many other vintage pattern sellers out there? Her Etsy store is arranged by size. I appreciate that if you’re looking for a pattern from a particular decade, that might be a bit annoying. But I’ve spent so many hours looking at vintage pattern sites, finding something I like, and discovering it’s too small, that to be able to go a place where I could just look in one section and find something in my own size was such a relief! So thanks again to Zoe, I can’t wait to get sewing!

Black Fleece Hoody

Black fleece hoody

I’ve been saving my pennies for ages, and last week my copy of the Cochenille Garment Designer software arrived. I haven’t said too much about it yet because I’m still on the steep part of the learning curve. This means that anything I might have wanted to say was probably unprintable anyway.

The first pattern I drafted and printed out was a simple dress… which would have been lovely if it hadn’t turned out to be at least six inches too big! I hadn’t checked the design ease in the pattern, and it was rather more generous than I’d expected. Oops.

Black fleece hoody

This little fleece hoody is my second attempt, and I’m really pleased with it! Isn’t it adorable? I particularly like the slim bell sleeves and the edge-to-edge fastening at the front. It’s trimmed with bias binding because they’s my current obsession. I think it makes for a lovely neat edge, and it would be great in a contrasting colour too.

Unfortunately I went a little bit too far the other way with the design ease on this one, and it’s come out a little bit too small for me. I’ve popped it into my Big Cartel store, alongside the organic fabrics, so if you’re a size 34-36″ chest it might be just right for you.

This pattern’s definitely a keeper though, unlike my first attempt. And now I’ve made one pattern that’s much too big, and a second one that’s much too small… it stands to reason that the third pattern I make should be just right!

Quarter Past Ten Scarf

Quarter Past Ten Scarf

I liked the Ten O’Clock scarf, but wanted something a bit wider. So I added an extra column of feather-and-fan up the middle. Then I decided that I didn’t want the edges to curl so much, so I’ve added a couple of garter stitches and a yarn over at each side.

Quarter Past Ten Scarf

Knitted from a single 200g ball of Patons Trentino, it measures almost six feet long. According to Ravelry it’s taken me almost eighteen months to knit.

Quarter Past Ten Scarf

I chose the colours so that I could wear it with almost everything that I own, and I’m really glad that I finally managed to get it finished just as the weather’s decided that it’s definitely autumn now.

So it’s almost the ten o’clock scarf… but with a little bit extra.