“Fun-time Ensemble” part one…

Advance 8990

Say hello to the lovely ladies of Advance 8990 – a 1959 pattern for a playsuit and skirt. I did have a momentary pause about making what is, after all, a glorified onesie, but it looked like a useful garment for wearing in the heat. I like that it’s quite a formal-looking romper, what with the collar and turned-back sleeves, but I particularly like the idea of popping a matching skirt over the top so that you’ve instantly got a nice smart dress!

Advance 8990

I asked for Paul’s opinion (as I usually do) before I bought the pattern, and was met with an emphatic shaking of the head. Oh dear. To be honest, I think he was put off by the rather alarming hat-and-balaclava combination, which I definitely won’t be attempting to carry off! But honestly. How could I possibly resist a pattern that describes itself as a “Fun-time Ensemble”? I’m only disappointed that it doesn’t list “novelty prints” amongst the suitable fabrics. (Rest assured though – a novelty print version will be forthcoming at some stage.) It could only be better if it had a raglan sleeve.

Advance 8990

I was quite excited to discover that the pattern, despite being 56 years old, was actually brand new and still in its factory folds! Unfortunately, it looks as though it perhaps hasn’t been stored in the best conditions, because the paper was incredibly fragile – more so than any other vintage pattern I’ve come across so far. I managed to tear the pieces several times as I was unfolding them and cutting them out, so I think drastic measures are going to be called for. I expect to be using this pattern more than once, so I think I’m going to iron the pieces onto some lightweight interfacing to stabilise them. I know this will effectively destroy the original pattern, but it’s in such poor condition that it’s pretty much ruined anyway. Normally I’d trace the pieces onto stronger paper, but the originals are just going to fall apart in the envelope, so I might as well make sure that I can use them for the purpose for which they were intended.

(The museum/conservation person in me is writhing in horror at the prospect of ironing these pattern pieces onto adhesive interfacing. But I do believe that these things are made to be used, and this particular example is no longer of a quality worth trying to preserve in its original state. So, I’m doing it anyway.)

Advance 8990

According to the envelope, the “Front-buttoned flared skirt wears its pockets in side front seams.” I spent ages looking for the pocket pattern, thinking that the piece on the left was some kind of cuff or trim. Nope – it’s the pocket. But it’s tiny! The innermost dashed line marks the seam allowance, which will be the finished size of the pocket – and I can’t even get my hand inside it! What were the designers thinking?! I don’t know what the lady of 1959 was expecting to be able to keep in there, but it must have been very small.

When I make the skirt, I’m going to substitute the pockets from my new Marcy Tilton pattern, Vogue 9112. You know, ones I can actually fit my hands into. I’ll probably add slightly smaller pockets to the playsuit as well, just because. You can never have too many pockets.

Advance 8990

I have to say that the instructions for this pattern are pretty sparse. They basically say “cut out pieces; make playsuit”. So when I followed an instruction that said “clip to small dots”, I did so… but apparently in the wrong direction. This extremely neat little triangular hole is at the bottom of the front placket. I can patch it so that it looks deliberate, but it’s not the best place for a hole in a pair of shorts, really! I will now be annotating the instructions on a separate piece of paper, as I go along.

Advance 8990

This attractive pale pink poly-cotton was just a piece of left-over fabric sitting in the stash, and I’m very glad that I decided to use it to try out the pattern before cutting it out in decent fabric! These pins represent a slightly unusual alteration, in that I’m taking 6cm out of the length at the too-long centre front, and then tapering it out to nothing at the side seams because the back is the perfect length.

I was a bit confused about this at first – how could the back length be fine, but the front be far too long? However, I think what I’m actually doing here is making a sway back/big bum alteration in reverse. Normally I’d expect to lengthen the centre back to create extra room, but I’d also expected the playsuit to be too long overall, because I’m very short in the body. As a result, the back is fine as it is, which makes the front too long by comparison. It’s all very complicated!

The only other alteration I’m going to need to make is to add a couple of inches of width at the hips. The shorts fit, but they’re quite snug, and it looks a bit out of balance with the rest of the garment being so loose. Adding a little bit of extra ease will give me the space to include the pockets, too.

I have to admit that the temptation to run down to the local fabric shop and snap up five metres of lots of different cheap novelty-print cottons is very high. But I do have some fabric in the stash that I can use up first, and I’m still trying as hard as I can not to buy non-organic cottons. We’ll see how long my resolve lasts.

Search for the perfect dress

McCalls M5924

 

Every now and then I get a bee in my bonnet about finding “the perfect dress”. Over the years it’s been vintage patterns that weren’t even remotely the same shape as my body, fiddly patterns that I hated to sew, or patterns that looked beautiful but turned out to be really uncomfortable to wear. I have dozens of these in my wardrobe, but it wasn’t until this morning that I realised the perfect dress is already amongst them.

McCalls 5924

This is McCalls 5924 (now out of print), and I’ve made two so far. The top one is a nice heavy cotton jersey, the one above is a lightweight drapey viscose knit, and the pattern works equally well in both. They’re empire line, which suits my shape, they have the all-important pockets, they layer well, and they’re really, really comfortable. I have enough fabric in the stash to make at least two more, and I don’t know what’s taken me so long!

While I was thinking about my wardrobe and the things I’d like to add to it, I added some more Gossypium yoga pants to my wish list. Then I realised that there’s almost certainly a yoga pants pattern out there somewhere, which is when I spotted New Look 6165. Not only yoga pants, but a skirt with the same fold-over waist! Ideal for wearing over leggings, and no elastic to dig in and give me a stomach ache. Perfect!

Of course, there’s always room for more than one “perfect dress” in any wardrobe. Which brings me to Vogue 8975. Another Marcy Tilton pattern (like the smocked silk dress), this time for knit fabrics and complete with a little jacket to wear over the top. Conveniently, my local fabric shop has a sale on both New Look and Vogue patterns at the moment, so I think a trip into town will be forthcoming early next week!

My next challenge will be to go through both my wardrobe and my pattern stash, and get rid of some things that I’m simply never going to wear or make. I’m the sort of person who will quite happily buy clothes in multiples if I find something that I like, so I have no problem at all with wearing the same few dresses over and over again. I’m trying not to think about how much money I must have spent over the years on patterns that didn’t suit me once they were made up, or fabric that turned out to be difficult to look after or uncomfortable to wear. All of that trial and error has brought me here – to the knowledge of which patterns I like to sew, and which clothes I like to wear. The photo above is an old one, but despite all the dressmaking I do, I basically live in a hoody, a stripy t-shirt, and a pair of ancient jeans that haven’t fit properly for a long time. Time for a bit of an overhaul, I think!

New Year, New Dress!

Vogue 8813

First completed garment of 2014 – this is Marcy Tilton for Vogue, 8813. The fabric is silk noile, dyed in my tea urn with about six months’ worth of saved tea bags. I blogged about my failed attempt at dyeing the fabric and scalding my foot, but apparently I failed to mention the second attempt, which came out looking lovely! Well, I think so, anyway.

Paul doesn’t much like the black marks, which are iron stains from rusty nails. I’m slightly concerned that people will make “hilarious” jokes about tea stains, but I really love this fabric. I plan to over-dye it every six months or so with the tea bags that I’m still saving. I figure that each successive dye bath will add new stains and patches and colours, which will add lots of depth and texture.

Some of you have been following the progress of the smocking over on Facebook… ta-da!

Vogue 8813

I’m slightly peeved about the wonky bit in the centre, caused by a dart that I added after the smocking rather than before. Note to self: read the instructions all the way through, especially if you’re making changes to the pattern.

Often when I’ve finished sewing something I’m so sick of the sight of it that I can’t even think about making another one. I enjoyed working on this dress so much that I’m already thinking about different colour combinations, and wondering how many I can get out of the fabrics I’ve already got in my stash. There’s a version suggested with contrasting colour panels, one with buttons on the enormous pockets… and I want to wear them all!

Vogue 8813

Notes on the pattern: BE CAREFUL. It’s not difficult by any means, but there are a few places where you need to be really accurate otherwise you’ll come unstuck. You also need to read the instructions properly *cough*, as the pocket construction in particular is a bit origami-like. The back, by way of contrast is completely plain and flat.

Fitting-wise, the only measurement you need to worry about is the full bust. If the dress is too tight across the front, it’ll be too tight under the arms and through the cap sleeves. I still went down a size from my usual Vogue Large to a Medium, and there’s plenty of room to breathe.

Vogue 8499

This, as you may be able to tell, is not another dress. It is another Marcy Tilton though, Vogue 8499. These trousers have a flat front and elasticated back, large pockets, and darts at the knees. They’re very wide at the hips, tapered at the ankle, and sit very high at the waist. Perfect!

My only complaint about this pattern is that there are no actual garment measurements given anywhere! If I’d sewn my usual Vogue size 18 or 20, these would have been phenomenally huge, even for a very baggy style like this. After reading a lot of reviews online, I took a gamble and made a size 14. This has turned out spot on, thank goodness. Any smaller and I wouldn’t have been able to pull them over my hips, but thankfully there’s still plenty of ease.

Once again, parts of the pattern require absolute accuracy. I ended up with a tiny hole in the waistband where I sewed past one of the small dots by a couple of stitches, though it was easily fixed.

This picture doesn’t really do them justice, although I think you can get an idea of the shape. I think they’ll also work well in lightweight corduroy, or maybe a nice drapey suit wool. They’re so comfortable that, like the dress, I want to make more already!

Silk bloomers & Fairysteps…

Silk bloomers & Fairysteps

You remember the silk bloomers I made yesterday?

Silk bloomers & Fairysteps

This is what happened when we went outside to take some photos of them.

Silk bloomers & Fairysteps

I’m sure the local dog-walkers thought we were bonkers!

Thanks to Fairysteps for the gold boots and leather top, and of course to Paul for patiently taking dozens of photos, most of which I pulled a face at. (Or in.) I am not confident having my photo taken, or trying to climb a tree!

Striped silk bloomers

silk bloomers

Still on a bloomer-making kick, these beauties are made from a silk skirt that I haven’t been able to fit into for years. The leather top is a very rare item of clothing from Fairysteps.

As part of the Unravelling course, I’ve been thinking about the various roles I play, and about alter-ego characters. I’ve still got the Angel Islington’s long white wig, from Progress Theatre’s production of Neverwhere (yes, I know I still haven’t shown you the photos of the costumes!), and I was brushing it out the other day whilst thinking about fairies and other mythical creatures. I’ve recently made white bloomers and a white linen dress, so I could have put together a beautifully ethereal white outfit really easily, and gone down to the woods to take some photos. But my first thought was “but white will just get really dirty”.

Then it struck me that not all mythical creatures are ethereal and fairylike. Some of them are tied to the earth, and fascinated by its processes, and invariably a little bit grubby if not completely covered in mud! So along came a leather top, and a not entirely practical pair of silk bloomers.

What this outfit needs, I think (apart from a good iron), is a little bag or tie-on pocket of some description. I mean, there’s no point going out investigating in the woods if you’ve got nowhere to stash your treasures, is there?

Hopefully I’ll be able to convince Paul to take some photos of me mucking about in the woods in this outfit later in the week. We’ll see.

Summer Shorts

McCalls 6328

The Easter weekend was very hot, so I thought it would be a good idea to sew a little pair of floaty shorts for the summer. (SInce then it’s been too cold to wear them. Typical.)

They’re McCalls 6328, view D, and this is a link to a line drawing because you can’t really see the details on the photo. Basically they have an enormous great ruffle at each side which makes them look like a little skirt.

I followed the measurements given on the pattern pieces, and annoyingly I could have made one size smaller. But I can wear these as a lower-waisted style, and cut one of the others in the next size down. They’re meant to come up to your bellybutton, which I like, and most of the views are on separate pattern pieces so that you don’t destroy the others by cutting out one. Except for the waistband, which I can copy and re-size easily enough.

My next mission is to adapt the pattern and see if these will work in a lightweight silk as a pair of very fancy french knickers. I just need to decide whether to move the centre back zip to the side, or whether to re-draft the waist and finish them with elastic instead.

Repeating Patterns

Back in April 2009 I made a pair of trousers using Vogue pattern 8367. (Now out of print.)

In October 2009 I went looking for a jacket pattern, and came across one which included a pair of trousers that I liked. The pattern was Vogue 8604, which looked remarkably similar to Vogue 8367.

Today I went searching for a pattern for high-waisted trousers, which is something I do fairly often, and came across the one above – Vogue 8717.

Is it just me, or are all these trousers actually exactly the same pattern?

Perhaps I should take a hint – stop looking for new trouser patterns and just make another pair from the one I’ve already got!

Clown Trousers

Clown trousers

A friend of mine collects clowns. He found this one in a charity shop, sadly trouserless. A fat quarter of sparkly gold jersey later, and the clown is much better dressed!

Butterick 5250

Butterick 5250

I started making these trousers back in March, when I started my new job. Then I decided I didn’t like them, and they went on The Pile. Last weekend I was going to a party, and I wanted to wear my Jeffery~West shoes, so I thought it was about time I finished off the trousers to go with them.

The trousers are Butterick 5250, view D, in a herringbone linen blend.

Now that I’ve made the sway-back adjustment, I really like them – although I did make them a little bit too small around the waist which is why the waistband’s gone wrinkly. I know it might look daft to be wearing trousers that sit so high on the waist, and there’s probably a “rule” somewhere that says short-waisted people shouldn’t wear high-waisted trousers. I say never mind the “rules”, they’re really comfortable, and I plan to make another pair. And a matching little bolero-type jacket to go with these.

I think the only thing I’d change about them is the pockets – they’re just not quite big enough. Also, whilst the trousers look nice enough with a fitted t-shirt, I think that what they really need is a shirt and tie to go with them. Maybe a bow tie. (Bow ties are cool.)

That’s more like it.

Wrap trousers and swing top

I spent yesterday afternoon developing the prototypes I made on Saturday – in fabrics that I’ll actually wear.

The top is a pink tartan cotton and viscose blend shirting. I added sleeves, although they didn’t turn out quite how I meant them to. I was intending to make floaty butterfly sleeves, but these have come out distinctly tight. They’re not too tight to wear though, so I can change them next time. If they get too annoying, I’ll just chop them off. The fabric is 60″ wide, rather than the 45″ I used for the prototype, so the hem is much wider and the sides are much longer.

The trousers are made from my stash of Bishopston organic cotton. I made a more angled crotch seam than on the previous pair, which makes them more fitted around the waist. Because of this I didn’t make a drawstring. I used bias binding to enclose the top edge, extending it 20″ on each side to make the ties. I’m trying not to worry that the wrapped edges are a bit wobbly. One of the things about handwoven fabric is that the grain isn’t anything like as straight as something that’s been machine made. I can’t do anything about that, so I’m just going to have to live with slightly wiggly trousers.

Now i just need to hope that the weather stays nice enough for me to wear them.