Spotty bolero and apron…

Spotty bolero

Here’s what I’ve been up to this week – making a spotty bolero from Simplicity 1819. I was intending to make a stripy one, to match the red and black outfit I wore to the Wild Boy’s Ball at Kensington Palace a couple of years ago. Unfortunately the fabric shop was out of stripes and, being too impatient to wait for an order to arrive, I decided to go with spots instead. As you do. This had a knock-on effect as the matching black trim (also unavailable) would have been invisible on the spotty fabric, so I had to go with red. I think it stands out rather nicely! It’s the first time I’ve done this sort of decoration, and although it was a bit fiddly in places, I’m pleased with the way it looks.

(I have to confess that I also love the way it looks with this yellow skirt. The temptation to wear these together is now almost irresistible.)

Spotty bolero and apron

And here’s what it’s supposed to look like, complete with matching spotty apron. That’s only pinned into place because I still haven’t decided whether it’s actually going to be an apron or a bustle. I think an apron though, as I rather fancy tying it with a ridiculously oversized bow at the back. As you do. The apron is also made from Simplicity 1819, a rather loose interpretation of the overskirt.

I think during the day I’ll probably wear this with a plain black shirt, and I have just enough spotty fabric left over to make a matching tie or bow tie. Then for the evening I’ll switch to the dress shown above, and swap the bolero for the black taffeta coat. If I’m feeling fancy, I might put the feather collar back on.

Then, of course, all I’ll need to make is a MASSIVE HAT. I have Lynn McMasters‘ top hat/riding hat pattern, some spare black taffeta, and a magpie skull on order. Watch this space…

Spotted Lace Shoes

Spotted lace shoes

I realise that you can’t see the spotted lace in this picture – you’ll just have to trust me that it’s there! (It’s the same as the lace on the Regency-ish dress.)

This is my very first pair of completely handmade shoes that are suitable for wearing outside. They have 4mm thick ridged rubber soles, held on with the most revoltingly stinky glue I’ve ever used. And that’s saying something, having used Cow Gum for years when I was a design student.

I’ve been slowly cutting out lots and lots of layers to make the prototype shoes for my patient testers, but I wasn’t entirely happy with the pair I made back in April. It turned out to be really difficult to trim off the welt without leaving an untidy mess, showing all the construction layers. I wanted to make a test pair with the welts turned inwards, to satisfy myself that it could be done neatly enough, and that the shoes would still be strong enough around the edges.

I’ll be wearing this pair to go dancing in this evening, so I’ll be able to report back very soon on how well they hold up!

When I agreed to make eleven pairs of prototype shoes I hadn’t really thought through how long it would take to cut out all the bits. Each shoe has four layers for the upper, three layers for the midsole, and then the outer sole. That’s eight pieces per shoe, sixteen per pair, which means I need to cut out A HUNDRED AND SEVENTY-SIX pieces of fabric, cork and rubber.

I’ve made a start, but I have a feeling that this may take some time…

Regency-ish Dress and Bloomers

Regency-ish dress & bloomers

(Sorry about the terrible picture, trying to take photos of black lace is a nightmare.)

Today I have finally finished all the hand-sewing on this Regency-ish dress based on Simplicity 4055. Some of it was of my own making – I had to bind the edges of the armholes to stop the seams of the net sleeves from being scratchy. Originally I’d put poppers at the back, but it turned out to be a bit tight and every time I moved they’d pop open. Not good for dancing. So I unpicked the poppers, put in eyelets, and now it laces up. Not very Regency. Ah well. The length’s hardly period – and it’s even shorter than I’d intended, hence the definitely not-Regency bloomers to go underneath.

The bloomers started life as Simplicity 2777, view E. I left off the waist casing, and finished the top edge with picot edged lingerie elastic. I also left off the leg bands and ruffles, because I found a piece of very extravagant garter elastic in my stash. It was much too stretchy to use as an actual garter, but absolutely perfect for trimming these little shorts.

I’m still trying to get used to the shape of the dress. It’s pretty and I know it’s basically the same shape as me, but I’m so conditioned to believe that every woman should have a neat little waist that I feel as though it looks a bit frumpy. Hopefully that’ll wear off when I put it on and discover that it’s actually comfortable rather than digging into the waist that I haven’t got, which is what happens with most of my other dresses. Which is why I never wear them.

I’m wearing the outfit on Friday evening, so hopefully I’ll be able to ask someone to take a better photo for me!