Corduroy and Velvet

Corduroy and velvet

This weekend I’ve been sewing the waistcoat to go with the Dorset buttons I made last Sunday. The pattern is McCalls 8285, and the fabric is a sage green cotton velvet. It’s almost finished – I just need to make the buttonholes, and sew a little silver buckle onto one of the straps at the back.

The trousers I actually made a few weeks ago. I didn’t photograph them because as soon as they were finished I put them on, and I’ve been wearing them (or washing them) ever since! They’re another pair of Vogue 1034, this time in black needlecord with a bit of a stretch to it. The pockets and waistband are lined with the remnants of the Sea of Holes fabric – just so I could feel amused by having pockets full of holes. (Yes yes, groan, I know.)

The trouble with wearing both cord and velvet is that they both act a bit like velcro when it comes to fluff. The cords accidentally went through the washing machine with a stray tissue which left them all white and fuzzy, and now they’re covered in green dandruff from cutting the velvet.

This outfit is two-thirds of what I’ll be wearing when I go out playing the recorder with the clog dancers. I now have just less than three weeks to either make or buy a shirt with long sleeves and no collar. I’ve got miles of white polycotton that’s suitable for shirting, and two patterns that would be fine. One is Folkwear 117 that I’ve made before, and the other is McCalls 5976. It just remains to be seen whether I’ll have time to make one of them, or whether I’ll need to dash down to the shops. Thankfully pintucked shirts seem to be in fashion at the moment, so hopefully I won’t have too much trouble finding one that’s suitable.

Three weeks until my first recorder-playing performance in about eighteen years. Gosh.

Green cord trousers

Vogue 1034

I’m not sure that a pair of olive green cords would have been on my shopping list, but I had the fabric in the Shed, and I wanted to test out Vogue 1034. This time I’ve been able to make a pair of trousers that actually fit me, and with only a minimal amount of adjustment to the pattern.

These jeans are a “today’s fit” design, which means that the measurements are given in actual inches rather than spurious dress sizes. I looked at the body measurements given on the pattern envelope and the garment measurements given on the pattern, and decided to make a size E. For the trial run I left out all of the pockets, and made a very simple pair of trousers.

Once they were ready to try on, Paul very carefully helped me to stick pins in my backside until I had the perfect fit. I graded down to a size D from the waist to the hips, and then made a sway back adjustment. Perfect! Even the length was just right.

The method for making the fly front seemed rather fiddly, and at times the instructions were a little bit difficult to follow. It does make a lovely neat front though, with much less bulk than you might find on other jeans. I’d definitely use this method again.

The order of construction was also different from other trousers that I’ve made, but this allowed for decorative topstitching on more of the seams. I didn’t add any topstitching on these trousers, apart from on the waistband and fly, but I probably will on the next pair.

The waist is much higher than you’d find on most jeans that are in the shops at the moment, and that’s absolutely fine by me. The back of the waist has a deep triangular yoke rather than a normal waistband, and this makes the fit of the centre back much better than on mass-produced jeans as well.

I have several metres of pinstriped cotton velvet, which I think would be absolutely perfect for this pattern. Topstitched in white, with a silver button, I think they’d be really dramatic. They’d also look great in a stretch denim, or maybe a nice wool tweed.

I’m so happy with this pattern that I may never have to buy a pair of trousers again!