A Louder Recorder

I spent today at Bunkfest, playing recorder for Aldbrickham Clog & Step Dancers. I was (somewhat unexpectedly) the only musician, a position I’m going to find myself in more often next season. Originally I played tenor recorder, but quickly discovered it was just too low to be audible out of doors. I switched to descant, as you can see, but it’s still a challenge to be heard above half a dozen clog dancers, ambient noise from an audience and in this afternoon’s case, a Punch & Judy show and a helicopter!

After that particular performance a lady came over to me and asked whether I’d ever played a Renaissance-style recorder. I said I hadn’t, so she handed me one of these. I hadn’t been aware that Renaissance recorders have a much wider bore, which makes them much louder – and therefore ideal for playing out of doors. Perfect! I’d already been thinking about going to the Early Music Festival, but now I’m definitely going to go and try out some Renaissance recorders. So thank you very much to a lovely lady with a bag full of covetable recorders, for her extremely helpful advice.

As well as meeting some lovely people, we also saw some fabulous performances. The Outside Capering Crew had been recommended to us as a must-see, and we did manage to catch the tail end of one of their sets. The highlight of the day for us was watching their performance with Berkshire Bedlam, collectively known as The Big Caper. If you think you know what Morris Dancing looks like, go and see these dancers – they’ll blow you away. We also loved Wild Hunt – visually stunning with black tatters and masks, they also had no traditional musical accompaniment, only drums, which made them very dramatic to watch.

We had an absolutely brilliant day, and I’m now inspired to venture up into the loft and try to unearth some of my old recorder music. If I’m going to treat myself to a new recorder, I’m going to need plenty of music to play!

Edwardian-ish Blouse

Edwardian-ish Blouse

I don’t think I showed you the finished blouse that I was making for Aldbrickham Clog & Step Dancers. It took much longer than I was expecting, because I ended up having to make all of the buttonholes by hand.

The body and collar of the blouse are from Simplicity 3623, with pintucks instead of gathering at the shoulders. The sleeves are from Simplicity 2207, and the buttons down the front were added by request.

I’m just waiting to find out whether the blouse is going to be okay for dancing – because of the shape of the sleeve heads, I might need to add a little gusset at the underarm to allow a better range of movement. Otherwise, I’m really pleased with how it’s turned out.

Falling in love with a concertina.

Wheatstone English Concertina

This is my lovely Wheatstone concertina. I bought it about a year ago, and have been playing it a little bit ever since. I don’t normally post about music very much, because this is supposed to be a sewing and knitting and generally crafty blog, but summer’s clog dancing season, so I might mention it from time to time.

Last week I went to a workshop at the Museum of English Rural Life, given by Karen Tweed, who’s an accordion player. I felt slightly awkward, being one of only three people to turn up with an instrument that wasn’t an accordion, but I had great fun. The workshop was slightly too difficult for my current level of skill but it pushed me to play more quickly than I’ve done before, and that’s definitely helped my practice since. After the workshop there was a concert by Hilary James and Simon Mayor, and then a wonderfully inspiring performance by Karen.

I came home absolutely smitten with the accordion, and the ability to carry practically an entire orchestra around with you in one handy box. I recently borrowed a tiny 12-bass accordion from a friend, although I haven’t yet managed to learn to play, well, anything. I can’t cope with trying to do so many things at the same time! Piano on one side, buttons on the other, notes and chords, bellows in the middle, plus reading the music… it all seems a bit much.

This weekend I went to Chippenham Folk Festival with Aldbrickham. I had a little look in the musical instrument tent, as you do, and accidentally fell in love with a new concertina, made by Marcus Music.

Marcus makes brand new hand crafted concertinas, and they’re absolutely beautiful. I’d previously been looking at antique ones because the general consensus seems to be that most modern concertinas are mass-produced and not very good, but these were hand-made and absolutely stunning. He makes a 37-button English concertina with wooden ends and seven-fold bellows. (Mine’s a four-fold.) I had a little play and it felt absolutely lovely. The buttons are slightly closer together than on my own instrument, which makes it a little bit easier on my small hands. The bellows are really smooth and free, and it makes a much louder sound than my Wheatstone without being at all honky or squeaky. My concertina’s a 48-key, so I’d have to be absolutely certain I wasn’t going to miss the extra notes, but I think if I’m still playing the concertina in a year’s time (which I plan to be!), I might have to invest in one of these.

This morning I did as much practice as my poor old thumbs could stand, and really enjoyed it. I’m still very much a beginner, so I’m at the stage where making any kind of progress at all is really satisfying. But even though I’m no virtuoso, there are some problems with my current concertina which are making a new one seem very tempting. It has a leak that needs repairing, and the bellows are very stiff, which is why it makes my thumbs hurt after a while.

I could send my current concertina off to Marcus and have the bellows repaired or replaced. He could proably also replace the missing leather from the finger plates. But with an antique instrument, I don’t know whether it’s a good idea to replace something as fundamental as the bellows. Does it become a different instrument then? Does it lose its value if the original bellows are missing? Or does that not matter, as long as it becomes playable again and I no longer need to sell it? I don’t know.

Either way, I can’t afford to buy a new concertina right now. So, I’ll keep learning to play the one I’ve got, and I’ll keep saving up for a better one, and I’ll see how things go.

Pintucks and ruffles

Pinktucks and ruffles

This is just a little sneaky peek at something I’m working on at the moment. It’s a costume for Aldbrickham Clog & Step Dancers. I play recorder and concertina for them, and I’m helping out a friend who needs a new blouse.

We wear roughly Edwardian costumes, based on the working clothes worn in the countryside until about 1914. I’m putting this one together based on a Renaissance pattern, a steampunk-Victorian pattern, measurements taken from two existing blouses, and a bit of imagination!