Nymphadora Tonks.

Too tired to make anything today, having been at work until 2am selling the new Harry Potter book.

We all went in costume, so here’s what I put together:

Tonks is described as having bubblegum pink hair, and wearing a purple t-shirt with “weird sisters” written on it. She also wears heavily-patched jeans.

The boots are Doc Martens, the hair’s not a wig, and the t-shirt says “Harry Potter and the Deathy Hallows” on the back. Given the number of small girls who shouted, “hey, it’s Tonks!!” at me from the queue, I guess the costume was at least recognisable!

I need to get myself invited to more fancy dress parties. I love dressing up. 🙂

Space is big. Very big.

My jacket says so.

This is a little bolero jacket that I put together this afternoon, following a sudden flash of inspiration yesterday evening.

Believe it or not, it’s made from a kids’ pillowcase!

Space bolero - front

Space bolero - back

It’s a different style from the red silk bolero – shorter in the arms and the back – and I think I like this one better. It’ll be more comfortable to wear to work, as my arms are more free to move around.

I do have tons of this fabric left (I bought a duvet cover as well as a pillowcase!), so if anybody wants one of these, please yell!

Prices start from £30, depending on fabric.
(Obviously, a silk bolero is going to cost more than one made from a recycled pillowcase!)
It’s fully lined, and the sleeve edges are bound. I can bind all of the edges if you prefer, or none at all.

These little jackets look fabulous over corsets, by the way… 😉

Four vintage patterns…

Look at what my Mum found, when she was clearing out some things from my Grandma’s house!

None of the envelopes have dates on them, but the style of the illustrations and the style of the clothes suggests late 1950s/early 1960s.

Even better – they’re in a size which I can modify to actually fit me! They’re sizes 18 and 20, which translates roughly to a modern size 14 and 16.

Four vintage patterns

IMG_4120 IMG_4121 IMG_4122 IMG_4123

The dress that I’m most likely to make and wear is (surprise!) the Maudella a-line shift dress. I might leave out the hanging fabric for daily wear, but I do love the contrasting circles.

In fact, I might even take that envelope with me the next time I go to the hairdresser. I love everything about that outfit.

Oh dear, I am now fighting a terrible urge to make this dress from camouflage fabric, with elephants peeping through the holes! I’ve almost certainly got enough fabric left over from the elephant dress to do that…

New Toys, or I Love My Yarn Winder.

I have a new yarn winder! It arrived a couple of days ago from Texere. It was quite expensive for a little plastic gadget, but it’s definitely going to be worth the money.

Yarn Winder

The first thing I did when it arrived was to immediately set to work winding balls from the odd skeins of Colinette from my stash. In fact I loved my yarn winder so much that I actually re-wound a couple of balls that I’d previously done by hand, as the little flat “cakes” of yarn that the winder produces are so much nicer! You pull the yarn out from the centre to knit with, so they keep their shape as you work and, they don’t roll away across the floor! They also stack really nicely.

I’m working out a pattern for a jumper which I plan to knit using Colinette Cadenza. I really didn’t fancy winding five hundred grams of wool into balls by hand, so I’m really pleased that the yarn winder works so well.

Before and After…

Before: 1 REM t-shirt, size XL. This is what happens when you’re at the back of the merchandise queue.

After: 1 REM t-shirt, much smaller. This is what happens when you have a sister with a sewing machine. 😉

My sister bought this t-shirt when she went to see REM at the Milton Keynes Bowl, approximately one million years ago. She has kept the t-shirt all this time even though it in no way fitted her. In fact, her fiancé wore it when they went to see REM in Hyde Park, slightly more recently. Apparently it was also too big for him, and he’s over six feet tall!

It’s actually quite nerve-wracking, chopping up other people’s precious t-shirts. All it takes is a snip in the wrong place and you’ve got a hole, or a t-shirt that’s too tight. Band t-shirts in particular come with a lot of memories attached, which imbue them with greater significance than you might expect in a mere item of clothing. Being entrusted to refashion someone else’s beloved t-shirt is actually quite an honour.

The Way We Wore.

I’m reading the most fantastic book at the moment – The Way We Wore, by Robert Elms. It’s about one man, and the importance of his clothes as he grows up. It’s a social history, and a sartorial autobiography.

Robert Elms is half a generation older than me, so some of the earlier parts of the book are quite difficult to understand, although I can still picture a lot of the clothes very precisely, thanks to seeing the few old photos of my Dad as a teenager, and having been pretty obsessed with the 1960s when I was a teenager myself. The 1970s seem to have been just as confusing for Elms as they were for me, although I was far too young to be thinking about clothes at that time.

It was the 1980s that really did it for me. I was eight years old in 1981, the year that Philip Oakey of the Human League appeared on Top of the Pops with eyeliner, earrings and a pierced nipple. I’m absolutely certain that I noticed none of these things at the time, and was quite shocked when I saw that footage again recently and worked out how young I must have been when I saw it first. The 1980s were for New Romantics and Soft Cell and Nick Rhodes – always Nick Rhodes – never Simon Le Bon or Roger Taylor. Nick Rhodes, always Nick Rhodes, because he was the one with the feathered hair and the eyeliner. No wonder I ended up as a goth. I’d been looking for men in make-up since I was eight years old.

Of course I was far too young to be a goth or a New Romantic at the age of eight, or even really to know what those things meant. I do remember having a Madonna phase, all leggings and hair bows, although it was never as pronounced as my sister’s, who had the lacy gloves and everything. I had braces and a too-big trilby with a turquoise band, purchased from Top Man. I can’t remember now what I attached the braces to. It can’t have been leggings, although my wardrobe was full of those, and I never had a pair of jeans so tight that they had to have a zip at the ankle or you couldn’t get your feet through. My friend Kerry broke her wrist getting into a pair.

I remember the braces and the trilby, and the elasticated belts like a nurse, with a butterfly for the buckle. I remember a neon yellow skirt, worn with the most atrocious haircut on my fourteenth birthday. I remember going all the way to Tammy Girl in Hanley, and longing for the day when my skinny frame would be old enough to fit into grown-up Etam clothes instead. I remember my beloved Falmer Kittens. Jeans with a brand name, instead of from the catalogue! Jeans in a size nine! Jeans with tiny little dots woven directly into the fabric. I loved those jeans, and I wore them until they fell apart, and because ripped denim had become fashionable by then I wore them for a bit longer. I wore them with my favourite shirt, which did come from the catalogue, and it was plain white stiff heavy cotton, with black embroidery down the placket front. Perhaps I also wore the braces, and probably an old waistcoat from a charity shop, covered in badges. I’ve never owned a shirt of such good quality since. I wore it to parties and when it got older I wore it to college. I wore it with skirts and braces and hats. (Probably not all at once, but then it was the 1980s. It’s hard to be sure.)

And shoes. Let’s not even get started on the subject of shoes. Confined to orthopaedic lace-ups during the early years, I remember very clearly being allowed my first pair of tan sandals for the summer, aged about nine. I went outside to play in them, and promptly ruined them by getting covered in tar. That summer was so hot that the road had melted, and my brand new sandals were spoiled.

This was written as a stream of consciousness this morning. (Hence the over-long sentences and too many commas.) I’m sure it’s hugely out of order chronologically, but I was just writing down odd things as they occurred to me. I didn’t even mention the giant black and blue stripy jumper, or the lace-up tan stiletto heels, or the grey pixie boots, or the haircut that made me look like a boy, or my first pair of Doc Martens, which made my Mum laugh because they looked so much like the orthopaedic shoes I’d spent so long rebelling against. I’m sure you’ll get to hear about that some other time…

Rest In Peace, Isabella Blow.

Isabella Blow died on May 8th 2007, from ovarian cancer. She was only 48.
It is rumoured that she took her own life.

She was Philip Treacy’s muse and mentor, and is credited with beginning and supporting the careers of Sophie Dahl and Alexander McQueen.

Blow dressed in a way which suggested that she was never afraid of what anybody might think of her, and she always looked absolutely stunning. One of the joys of reading Vogue, and flicking through magazines like OK and Hello, was looking to see what she had been wearing to the latest parties and events.

Isabella Blow was one of my role models, and I am very sad that she’s gone.

Finished – one ENORMOUS jumper!

This jumper was for a commission which came in through the website, and I’ve been working on it pretty steadily for about six weeks.

These pictures in no way illustrate the enormity of this jumper. The dressform is set to my size. When I tried it on, it came down to my knees.

I now completely understand why my Mum makes mostly baby clothes.

I think all knitted commissions from now on are going to have to be for small things, like hats and scarves and maybe socks, if I ever get around to learning how to knit them.

No more jumpers. It takes far too long, and it makes my wrists hurt.

(I’d consider a Point 5 jumper, as they knit up so quickly, but nothing with smaller than 10mm needles.)

I’m Not a Plastic Bag.

Chloe is my new hero.

Were any of you daft enough to queue outside Sainsbury’s for an Anya Hindmarch “I’m not a plastic bag”? Or worse, to buy one for a ridiculous price on Ebay?

Yes, in some ways it’s a good idea. The most influential handbag designer of the moment jumps on the green bandwagon. That can’t be doing her profits any harm. Or Sainsbury’s. It brings the issue of recycling and re-using and landfill to the public’s attention. But I would like to bet that these Anya Hindmarch bags won’t be used by people who actually care about not using carrier bags for their shopping. They’ll be used mostly by fashion victims as a handbag, while they continue to drive their groceries home in the car, in ordinary carrier bags, as per usual.

The bag itself was made in China, and shipped over to the UK. It will also shortly begin another production run to be shipped over the the US. Hardly a low carbon footprint or an ethically sound manufacturing option! It’s made from “unbleached” cotton, but nowhere does it say whether the cotton is actually organic, or fairly-traded.

Maybe that’s asking too much from one small bag, but why should it be? There is no excuse for designers, especially designers who are jumping on the “green” bandwagon, not to be using cotton which is either fairly-traded or organic, and preferably both. Yes, organic cotton is more expensive, because the yields are lower. Gradually, as the earth recovers from being doused in pesticides for decades, this will change. Yes, Fair Trade cotton is more expensive because, shockingly, you have to actually pay the farmers for growing it for you.

A number of high street stores are now selling “green” clothing ranges, although it’s quite difficult to find out what criteria they’re using to make this claim. M&S has a range of t-shirts, Asda has similar, and even Primark are somehow producing the cheapest “green” clothing around. I’m happy to see this kind of thing filtering down to the high street, even if I am suspicious of how Primark can produce so much, so cheaply.

At the moment I simply can’t afford to buy organic and fairly-traded cotton to make my clothes, although it’s something that I’ve been looking into for a couple of years. This is why I’m currently taking the recycling route, and trying to make something new out of something which would otherwise have been thrown away.

How long do you think it will be before the fashion victims get bored of the “I’m not a plastic bag”, and simply throw it away in favour of the next most fashionable thing? Still, if they all end up on Ebay, at least they’re being recycled…

Befores and Afters…

Pressgang halter-neck

This one is for me to wear when I go and see Pressgang tonight, for the first time in about eight years! It won’t be for sale, mostly because it’s got a dirty mark right down the front. I think this t-shirt had been relegated to decorating duty because it was too big to wear. Shame, as it’s quite pretty now!

Kill II This ¾ sleeve

Please excuse the offensive text. I’m sure you can imagine how thrilled Paul’s mother was, when he came home from University wearing this! 😉

Please also excuse the fact that I’d already chopped off one of the sleeves before I remembered to take the “before” picture.

Despite the text, I’m actually really pleased with this one. It’s another which is going to look a lot better on a person than on the mannequin – her shoulders aren’t wide enough to show the puffed shoulers of the t-shirt! The sleeves are ¾ length, and trimmed with lace. The top is nice and long, and despite the fact that I would never wear it, I actually really like it!

For any Kill II This fans out there, it’s a size 34-36″ chest, and it’s £15.

Tie-dye beach dress

I’m really pleased with this one, and am sad that it’s a tiny bit too small for me, so I won’t get to wear it in the height of summer. The bodice part is made from the sleeves of the original t-shirt, and the skirt is made from the rest! It’s elasticated around the underbust seam and at the back of the bodice, so you don’t have to rely on the little straps alone to hold it up.

I love the swirl of the tie-dye, especially on the back.

Best fit sizes 30-34″ chest. £15.

I’m really enjoying making these. It’s a challenge to look at each individual t-shirt, and work out the best kind of top which can be made from it. As all of these t-shirts are pretty old, some of them have holes, some of them have lost their stretch, or the fabric’s twisted at the seams. It’s fun to take the best bits, and turn them into something which is wearable again.