More embroidered ampersands

Embroidery examples

This is what’s been keeping me out of trouble in the evenings – embroidering ampersands. And a little flower made from a vintage button, just for good measure.

The larger ones measure 6 inches across, and the smaller ones are four inches.

In order to prevent my house from becoming completely over run by embroidered typography, all of these pieces are now for sale on Etsy.

I’m now in that awkward position where I probably shouldn’t really go buying any more supplies until I’ve earned a bit of money by selling some of these. I can’t wait to make some more, so I’m keeping my fingers crossed that somebody out there likes them as much as I do!

This is not a jeans dyeing tutorial.

I have a confession to make. The very day after I wrote about Value versus Cost, I went out and bought a pair of cheap jeans. There are some garments that are going to wear out just as quickly whether you pay £10 or £100 for them, and jeans fall into that category for me.

I went into H&M to look at the Matthew Williamson smocked dresses and shirts, and whilst they didn’t suit me (and the smocking was cheated, with elastic) I did rather fall in love with a pair of his men’s jeans. I liked the fabulous bright pink colour, and the studs around the waistband. I tried them on, but the style was not especially flattering on me. So, I sadly left them behind.

By that time I couldn’t get pink jeans out of my head. Could I find a pair in any other shop? Of course not. But then I remembered that New Look sell white jeans, so I grabbed a pair in my size (and a much more flattering cut!), and set about dyeing them in the washing machine.

I had planned to write a tutorial on how to dye your jeans, using Dylon machine dyes. Then I realised that the tutorial would read:

  1. Buy a pair of white jeans.
  2. Buy a packet of Dylon Machine Dye in your preferred colour.
  3. Measure out 500g of salt.
  4. Follow the instructions.

That didn’t seem like much of a tutorial really, so you’ll just have to believe me when I say that I am now the proud owner of a pair of EXTREMELY pink jeans!

Don’t forget that you don’t have to start with new jeans, or go for such a bright colour. I’ve often used Dylon’s black machine dye to revitalise an old, faded pair of jeans. These dyes also work really well on cotton sheets, t-shirts… anything made from cotton that can safely go through the washing machine. The only thing you need to watch out for is the polyester stitching you find on most garments – that won’t pick up the dye at all. But if you choose your colours carefully, or add a bit of embellishment to match the stitching, you can make it look as though you planned it that way all along.

Bees! In the house!

No, it isn’t as alarming as it sounds.

As you might have gathered from the picture, I’m talking about wallpaper!

Farrow & Ball* have the most beautiful ranges of historical paints and wallpapers. With paint colours such as StringDead Salmon and Cat’s Paw, who could fail to be intrigued? I’ve often longed for a period property, just so I could say things like, “The drawing room? Oh, that’s decorated in Bone and Mouse’s Back, darling…”

 

Anyway. Bees. I really like bees.

A friend sent me a link yesterday, with the subject “I saw this and thought of you”. I couldn’t imagine why I would remind anyone of paint or wallpaper, so I clicked through to find out.

Farrow & Ball have bumblebee wallpaper!

From their website:

Bumble Bee is one of 4 designs from Papers 5; a collection of block printed papers, produced in the traditional manner using only our finest water based paints. The Napoleonic bee signifies the French worker and the design was originally found in Josephine Bonaparte‘s boudoir, as a silk fabric. The 7 Farrow & Ball coloured grounds are traditionally trough and brush applied before the design is block printed. The 4 designs are drawn from existing Farrow & Ball blocks used in restoration of great British houses.

It comes in 20 different colourways, and costs £57 per 10 metre roll. I’ve sent off for a couple of samples, in the colours shown above. Hopefully one of them will match with my beautiful bee fabric, which I’ve been meaning to turn into curtains for quite some time. Then I need to work out how much wall I can cover with just one roll of paper…

…or perhaps I’ll have to settle for framing the samples, making my curtains, and dreaming of the day that I can afford to have a complete bee room!

 

 

*Note – you might have to tell their website which country you’re in, before you can follow the links. Tell it you’re in the UK, and you’ll be able to click through with no trouble.

Value versus Cost.

So, we’re in a global recession. A couple of months ago I had a surprising number of orders cancelled, all at once. Most of them were for party dresses that people simply couldn’t afford to pay for any more. Never mind that the dresses were going to be hand made from beautiful fabrics, one of a kind and made to fit exactly… if the money to pay for those dresses is no longer available, the orders have to be cancelled.

This is a bit of a problem when you’re a one-woman business with bills to pay, so clearly I need to do something about it.

One solution might be to concentrate on items with a smaller price tag. If customers have less money, then it makes sense to sell items which are cheaper for them to buy. Except that I still have the same bills, so I’d need to spend more time and money on marketing and materials, for an even smaller return on my efforts.

So, what I’m seriously considering instead is going the other way, and selling items which are much more expensive than I would normally offer. This seems counterintuitive, but if I can demonstrate that these items have a much greater inherent value, then the actual cost becomes secondary.

What do I mean?

When I graduated, I worked for a small publishing company. My job was to bring the typesetting processes in-house, and thereby save the company money. They published a lot of books of “Your Town In Old Photographs”, and they were paying £7 per photo to have them all scanned. This cost roughly £1000 per book, in scanning costs alone! I suggested buying a high quality scanner, but the one I needed to do the job cost £1500. Because the price of the scanner was more than the cost of having the scanning outsourced for the next book, the company refused to pay for it. They were trying to compare £1500 to £7, and they couldn’t see past the cost of the scanner to its value for the business in the longer term.

To come back to one of my favourite subjects, shoes – Dr Martens have recently launched their “For Life” range of footwear. They’re offering a limited range of styles and colours, with a lifetime guarantee. Subject to a few conditions, when your boots wear out, you pay £20, and Dr Martens will repair them for you. MBT have a similar arrangement, where you can pay £38 and have the soles replaced.

Now MBTs are expensive – in the UK they cost up to £170. The Dr Martens For Life boots cost £110 – more than double the price of their similar non-guaranteed styles. In the current economic climate, it would be easy to think that the best thing to do is simply to buy cheap shoes. But if your cheap shoes cost £25, and they fall to pieces after three months, then you have no choice but to buy another pair. In eighteen months you’ll have spent more on cheap shoes than you would have done on one pair of Dr Martens For Life, and you could have had them repaired. Twice.

I don’t know that offering a repair service or a lifetime guarantee is the way forward for the things that I make. But I do want people to understand that my new clothes will be made from beautiful fabrics, to a very high standard, with a great deal of hand work involved. These things take time to make, and they deserve to be looked after, not cast aside like some fashionable thing that’s fallen out of favour. If I can make clothes that will last a lifetime, be passed on, and mended, and loved, then that’s a value which goes way beyond the price tag.

Whether people will be able to understand that in a time when money’s tight, is another matter entirely.

Full of beans. (And peas.)

Raindrops on my tiny pea shoots

Yesterday I was bemoaning the irony of having watered my potted vegetable plot, mere minutes before it started to rain. This little pea plant’s about three inches tall, and seems to be quite efficient at collecting all those tiny little drops!

Bean!

This morning I was feeling thoroughly miserable and germy and sorry for myself, and needed to find something to cheer me up. I came outside and this tiny bean was waiting for me.

I’ve grown vegetables before, but I usually cheat and buy them as little plants from the garden centre. Thanks to Sarah over at Skycarrots, who very generously gave me a whole bunch of seeds, this year I’ve started from scratch. It’s so exciting seeing how each little plant grows. I certainly never expected this one to pop up from the ground overnight, complete with bean still attached!

I have a lot to learn about growing my own fruit and vegetables, but I’m really looking forward to it.

Still Seeing Smocks…

Yep, I’m definitely still seeing smocks – or at least some kind of smocking!

I opened up the June 2009 edition of UK Vogue last night, which featured Matthew Williamson’s new designs for H&M. This pretty blouse and dress both have smocked panels on the shoulders and sleeves.

There are some more pictures on the H&M website, including some really good ones of the detailing on the dress… but the site is entirely built in Flash, so I can’t give you links to follow. Here’s a screenshot instead:

The summer collection comes into stores worldwide tomorrow, so I might have to pay a visit to my local H&M, to have a closer look at the details.

Adding some scarves to the Etsy shop.

Colinette Tagliatelle scarf

So much for spring – it might be May, but it’s still cold enough to need a scarf. And, of course, it’s always winter somewhere in the world!

I’ve just listed half a dozen scarves on Etsy, all hand knitted from Colinette yarns.
I love working with Colinette, but I probably ought to try and sell a few scarves before I fill up my house with any more… 

Seeing Smocks Everywhere…

I was watching Cranford on the iPlayer, when I spotted Harry wearing a smock!

I couldn’t get a clearer picture than this, but there’s a smocked panel front and back, and at both the shoulders and cuffs on the sleeves.

Am I going to see smocks everywhere I look from now on?

Meeting Sheep.

Hartington, May 2009

Paul and I spent the weekend in Derbyshire, discussing wedding cake with my Aunt.

Helen runs a lovely B&B in Hartington, so we had the perfect base to do some walking and sightseeing.

Being the lambing season, what we saw most of were sheep!

Making a CV for your “Right People”.

This week I got myself into a terrible state trying to write up my CV for the Museum of English Rural Life. One of the difficulties with being self-employed is that it’s often necessary to take part time or seasonal work, to make sure you have some form of income during those quiet patches. Unfortunately, when you put that on your CV it looks as though you’re forever chopping and changing jobs, and it can be difficult to explain what you do all day in your own business.

The standard format of two sides of A4 paper detailing your education, employment and interests just wasn’t suitable for the way that I’ve been working for the past eight years. I received an offer of help from an old school friend who is now a Recruitment and HR Consultant (thank you Facebook!), and she advised me to emphasise my skills rather than my employment history, and to relate those skills to the context of the position I was applying for. But I was still trying to do that on two sides of paper, and it just wasn’t right.

So I thought about Havi, and everything she says about finding your “Right People”. And I remembered that I have a degree in Graphic Communication. So, why not communicate my CV in a more graphic way? That’s when the penny dropped, and I decided that the proper format for my new CV was actually a magazine.

It’s just 3 sheets of A4, folded in half to make a little 12 page A5 booklet. That sounds like a lot of CV, but all the important information (contact details, qualifications, job history etc) is on the first two pages, so if anybody really doesn’t want to read beyond that, they don’t have to. Following on, each page has a big photo at the top, and a little paragraph of text underneath. Kind of like this blog.

In each section I’ve tried to make the subject link back to the kinds of work I would be interested in doing for/with the museum, so they can understand clearly what I can do. (Interest in craft & costume history, self-directed research, that kind of thing.)

I wouldn’t say that this was the ideal solution to applying for any creative job – there’s no point in being quirky just for the sake of it. In my case, everything I’ve written in the CV is condensed from something I’ve written about on this blog, so there was no need to try and talk myself up, or make my interests seem relevant – it’s all there already. The magazine format simply presents the information in a handy package, which should hopefully be memorable.

And if it’s memorable, then hopefully I’ll be remembered when they’re looking for someone to give a lecture or teach a workshop or do some research.

 

Speaking of which… I’m going to be teaching a workshop in smocking, in September!