Natural History Museum: Animal Inside Out

Greyface Dartmoor Sheep at the Natural History Museum

This sheep is a Dartmoor Greyface. He is here to lull you into a false sense of security, because all the photos below this one are going to be of wobbly things in jars. If you don’t like wobbly things in jars, I suggest you just look at this lovely sheep for a bit. He lives at the Natural History Museum, in their Wildlife Garden. He had a couple of friends, and he seemed very happy there, grazing away on the meadow.

I went to the Natural History Museum to catch the Animal Inside Out exhibition before it closed. Paul declined to come with me on the grounds that he’s too squeamish, but given that it was full of excited three-year-olds yelling “look mummy, you can see all that squid’s insides!!”, I think he would have probably coped. Although some of you will no doubt be pleased to know that there was no photography allowed inside!

I felt that the exhibition was slightly on the small and under-explained side, although I don’t know what I would suggest to improve it. More detail on the actual plastination process, perhaps, which was described in just one paragraph. The exhibits themselves though were absolutely amazing. The delicacy of an entire animal comprised solely of its own blood vessels was stunning.

Many of the more robust pieces were on open display, so you could go right up to them and look really closely. Somehow the texture of the plastinated creatures gave them a somewhat “fake” quality, so you could easily believe that you were looking at very detailed models. I found that a tiny bit disappointing somehow, but then I’m the woman who likes a good old-fashioned spirit-and-taxidermy collection, so maybe it was simply all a bit too modern for my liking!

Spirit Collection at the Natural History Museum

After I’d had a good look around the exhibition a couple of times, I wandered over to the Darwin Centre to find out whether the Spirit Collection Tours were happening this week. Sadly they weren’t, so I contented myself with pointing my camera through the windows. Hence the fuzziness of the picture above. But look! Lizards!

Spirit Collection at the Natural History Museum

This is a fish, otherwise unlabelled. I don’t know what it’s been treated with to make it green, but it’s absolutely beautiful.

Spirit Collection at the Natural History Museum

This is a Lesser Vampire Bat. Isn’t he adorable? Preserving mammals in formalin or methylated spirits tends to cause them to lose their colour over time, so they often turn either orange or white.

Spirit Collection at the Natural History Museum

And this is an octopus. Please excuse the reflections on the glass, it’s hard to get rid of them when you’re taking a photo of an animal through a display case and a jar.

At this point I had to dash back to Paddington to catch the last off-peak fast train of the afternoon, so I didn’t really look at the rest of the museum. Next time I’ll get out of bed a bit earlier – there must still be corners of the place that I haven’t discovered yet!

Koi Carp Knickers

Koi Knickers

From Cloth Magazine again. These are made from a lightweight printed cotton, leftovers from a skirt and a corset.

This time I experimented with applying the elastic in a different way. First I stitched it to the outside of the knickers, and then turned the elastic to the inside and used a three-step zig-zag stitch to finish it off. I also modified the pattern slightly, cutting in in two at the crotch and adding a seam allowance. This allowed me to separate the front and back, so that I could use this directional print without any of the fish being upside down.

I’m still not totally convinced that I like the style of these knickers. However, I can confirm that they’re really comfortable to wear, and they’ve survived the washing machine – so that’s a plus!

Simplicity 2307

Simplicity 2307

This is Simplicity 2307, a brand new Project Runway pattern.
The fabric is a cute little goldfish print by Heather Ross, that I bought from Cia’s Palette a couple of years ago. It was a skirt, for a while.

I have to confess that I don’t always like Project Runway patterns. They tend to offer lots of variations, which I do like, but they seem to make things unnecessarily complicated, which I don’t.

Having said that, there are only two things that I struggled with a little bit on this one. The first was the pleats at the top of the sleeves. You have to make two little pleats and then overlap them at the top. This looks beautiful when you’ve done it, but the instructions on exactly what you needed to fold to where to make this happen didn’t seem very clear. The second was that by the time I’d interfaced both the collar and the facing there were six layers around the neck, which makes it a bit stiff. Next time I probably won’t stiffen the facing, and I’ll trim the seam allowances of the collar a bit more closely.

Despite the fiddly aspects of the pintucks and the pleats and the collar and the little tie belt at the back, this was actually a fairly straightforward pattern to put together though. You do have to be super accurate in your cutting and sewing though. Otherwise you’ll find little frustrations, such as the sleeve bands being a couple of millimetres too short, or the sleeve heads not fitting in quite right. This is definitely a precision piece.

The pattern doesn’t give a blouse length, but I was restricted by having such a small amount of cloth to play with. I ended up using every last inch of my fishy fabric – you have to promise not to notice that the fish are in fact swimming sideways around the sleeve bands!