Stamped Fimo pendants

Fimo pendants

Just a couple of tiny little pictures to show you what I’ve been up to today.

I’m still playing about with Fimo, trying out some techniques that may or may not work when I move on to using the silver clay.

Both pendants are imprinted with a rubber stamp. The Piglet has been painted with acrylics, and both pendants have been washed.

The spider pendant would be an ideal candidate for enamelling, if it was made in silver clay. The imprint of the rubber stamp makes a perfect reservoir for liquid enamel colours. The Piglet is too detailed for enamels, but the details could definitely be picked out with liver of sulphur, which creates an “antiqued” effect. I think it would look very smart if the pendant itself had a brushed finish, but the heart was burnished to make it shiny.

I have so many ideas for Fimo and silver clay pieces that I want to make, and techniques that I want to try. I think I need to get out my pencils and start a little sketch book, so I don’t forget anything.

Rose Quartz & Amethyst necklace.

Rose quartz & amethyst necklace

Today’s another snow day, so I had to cancel all the things I’d originally planned. Never short of something to make, I decided to dismantle a veritable mountain of old jewellery, and put together a new necklace.

Once it was finished I thought it would be a nice idea to take some pretty photos of it sitting on top of the snow, which I assumed had frozen hard enough to take the weight of all those beads. As it turned out, I was wrong, and the necklace sank. Oops!

Rose quartz & amethyst necklace

When I’d fished the necklace out of a snowdrift, I discovered that a lot of snow had stuck to the beads. So I hung it up in the sunshine, and took some more photos.

I like the idea of crystals-on-crystals.

For more details about the necklace itself, there’s another blog post here.

I only wish that I had more old jewellery to dismantle, so that I could make another one!

A nugget of purest green!

A nugget of purest green!

I was given a starter kit of PMC (silver clay) for my birthday, but decided that I’d rather try out a few techniques with polymer clay before I dive up to my elbows into the silver. I had a few blocks of Fimo in the house, so I’ve finally found some time to have a bit of a play with it, and this is the result.

The piece on the right is a pendant made from a tumbled green aventurine stone, with the polymer clay wrapped around the edges and then textured. The texture isn’t exactly what I was hoping for, but I have plans for future improvements. The baked clay was then washed with acrylic paints, sanded and washed again.

Once I’ve taken some better photos, I’ll probably pop this one up for sale on Etsy, while I think about the next incarnation of this technique.

My original idea was to test the process a few times, and then replicate it with the silver clay. Unfortunately my jewellery magazines tell me that’s not possible, because the gemstones won’t withstand the temperatures needed to fire the silver, whereas they’re quite happy in the oven at the low temperature required for Fimo.

While I was reading up about polymer clay techniques online (shockingly, I own no books on the subject!) I came across a very interesting tutorial by Monster Kookies, about using fragrance oils to add scent.

You can’t use essential oils because the smell won’t survive the baking process, but you can use soap and candle fragrance oils, because they’re designed to be used at higher temperatures. The structure of the fragrance oils also blends well with the polymer clay, (hopefully) without compromising its structure.

The piece on the left I’ve scented using a fragrance oil from Gracefruit‘s extremely comprehensive selection, left over from my cosmetics-making days. I used the stopper from the top of the bottle to rub a very thin layer of oil across the piece of flattened clay, and then rolled it and flattened it and rolled it again until all the oil had been absorbed.

After baking it still smells, which is a very good start! I’ve written the date on the back, so I can find out how long it takes for the fragrance to fade.

I then used the baked piece to experiment with different methods of adding paint washes to the textured clay, and had a little practice with my new rotary tool’s polishing heads. I borrowed my husband’s Games Workshop Citadel Washes, as these paints are specifically designed to be used on plastics. I’m pleased with the results, and the painting tutorial was useful too.

Now I’m quite keen to try out some of Paul’s other modelling supplies! I know he has mould-making and resin casting supplies around here somewhere… I wonder what I could make with those?

(By the way – the title of the post is from Blackadder, when Percy tries his hand at Alchemy, and accidentally invents “green” instead of gold.)

Jewellery making mood.

Purple sunstone necklace

I was in a jewellery making mood today, so I’ve just finished putting together this necklace.

It’s a leather cord, with twenty purple sunstone beads attached – they’re a very dark purple colour with a glitter sparkle when the light catches them. The beads are hung in pairs, so that they hang in bunches and at different heights.

I have plans to make a pink one using rose quartz beads, and I also have a bag full of large tumbled gemstones held in spiral pendants that I plan to hang from organza ribbon.

This morning I added a few spiral pendants to Etsy, although I understand that a UK postal strike is happening next Thursday, so if you’d like one you might want to order it soon!