Nuno Felting

Nuno Felting

Hello! I feel as though I’ve been away for ages. I’m so busy at the moment I’ve barely had time to breathe, never mind blog, but I made this yesterday and I thought it would be a nice little something to show. It’s a somewhat experimental piece of nuno felt, about the size of a sheet of A4. As you can see, I’ve felted a little bit of merino onto a backing of muslin.

Nuno Felting

When the wool starts to felt, the fibres contract and matt together. The cotton muslin doesn’t shrink, so you get these lovely textures coming through.

Nuno Felting

This is the back, with its lovely rivers of ruching, and the wool fibres just poking through.

Not bad for a first attempt, I think!

Museum of English Rural Life

Smocking

On Sunday afternoon I persuaded Paul to wander round the Museum of English Rural Life.
I hadn’t been since it moved location (in 2005!), and it’s in a much bigger space now. It’s a slightly strange museum – laid out more like a store room than an exhibit, with things shoved up corners and hanging from the ceiling – but it’s an amazing collection, and there’s a wealth of information to go with it.

The highlight of my trip was getting to play dress-up with the reproduction linen smocks. They didn’t have a pair of farmer’s clogs in my size, otherwise I’d have been wearing those as well!

(I used to wear slip-on clogs all the time when I was a student. My friends kindly referred to them as “those sawn-off wellies”. Charming.)

The highlight of the trip was tagging on to the tail end of a guided tour, and being allowed upstairs into the archives – and they have MASSES of textiles! Lace fans, embroidery samplers, tatting, and LOADS of clothing.

I’ve taken a large number of photos of the reproduction smocked coat and tunic, although I was so over-excited that I completely forgot to take pictures of the inside. These garments would have been made entirely by hand, so I’d like to have a look at how the seams were finished.

I can’t help wondering whether there’s been an extensive study made of all the garments hidden away in the archives. With the exceptions of craft books and sampler patterns, I can’t find anything that’s been published on the subject in more than twenty years. (A study was done in 2001, but it’s out of print.)

The next time I go over to the University library, I might have to browse around the clothing and folklore sections, and see what I can find out. This smock collection is crying out “PhD” to me. I wonder…