She Sells Seashells…

Seashell Collecting Display

These seashells, part of an original Victorian collection, are now on display in the Cole Museum of Zoology. The Museum had recently acquired four new display cases, and the volunteers were asked to fill them! The new cases now contain examples of fossil fish, specialisation in bird skulls, variation in beetles and my Victorian seashells.

Seashell Collecting Display

These are some of the boxes containing the tiniest little shells, complete with original handwriting on the boxes, and newspaper underneath. Some of them list the place and date of collection, others have only the species name.

Seashell Collecting Display

I didn’t manage to get a very good photo of the entire display because of the lights reflecting on the glass, but it shows the difference between amateur and professional collections, and the variety of boxes that the shells were packed into. I wrote a little bit of information about the history of shell collecting, and Amanda (the Cole Museum Curator) added some more about the current laws regarding bringing seashells home from other countries. (If in doubt – don’t!)

I really enjoyed rummaging (carefully!) through the Cole Museum’s shells to pick out just a few for this display case. They’re still in the process of being cleaned and catalogued, and there are some real beauties.

London Souvenirs

London Souvenirs

Everyone knows that yarn and fabric bought while you’re on holiday doesn’t count as stash, right…?

On the left is two balls of Schoppel Wolle’s “Flying Saucer” sock yarn. It’s dyed two strands at once, so that when you unwind it into two balls you can knit two identical socks. If you follow their pattern, it also creates a somewhat psychedelic flying saucer pattern on the legs of the socks. I probably won’t be following their pattern (because I’m awkward like that), so it’ll be interesting to see how it knits up.

The little burgundy stick is a shawl pin that exactly matches the never-ending stole that I’m currently knitting. I bought the stick and the yarn from Loop, which was just up the road from our hotel. We also had a nice little wander around the antiques shops and stalls around Camden Passage while we were waiting for Loop to open. (I’d accidentally dragged my friends there half an hour too early. Oops.)

The fabric, as you can see, is from the V&A. I was slightly disgruntled to look at the V&A online shop and discover that both of the fabrics I’ve chosen are on special offer, and therefore cheaper, but I guess the shipping would make up the difference, so never mind. The fabrics were produced to go with the 2010 exhibition Quilts 1700-2010, and are a limited edition featuring designs from prints in the V&A collection.

The top fabric is ‘Palm Tree’, and is taken from a patchwork coverlet pieced from various early 19th century printed cottons. It was possibly made in Wales, sometime around 1830-40. The bottom fabric is ‘India Flower’, taken from a patchwork coverlet composed of block-printed cottons of the 1780s and 1790s. It was made in Britain, and dated 1797.

Being tight of budget, I bought a half-metre of each print. It’s a metre and a half wide, so there should be enough to make three pairs of shoes from each design, if anybody might be interested in such a thing…? They had so many lovely prints, I wish I could have afforded to buy one of everything!