Surprisingly popular!

A little bouquet of felted flowers. Wet felt for the petals, needle felted in the centre to hold them onto the bobby pins at the back.

This little pile of felted flowers (complete with grainy Instagram filter – I’m “inexplicableemporium”) is waiting to go to work with me on Saturday evening, where I’ll be having a stall at our Museums At Night event. Well, that was the plan, anyway! The two green were ones were made by request for a friend, and the blue one sold on Facebook this afternoon, to another friend who’s also ordered a waterfall jacket that I’m really looking forward to making. Thankfully I still have seven hair flowers to take with me, plus another nine brooches the same size that are just waiting for the pins to be sewn on.

Small felt hair flower on a bobby pin

This is the size of the smaller flowers – about 7-10cm (3-4″) across, and quite deep. It’s attached to a bobby pin that has a little round pad at the top, which holds it firmly in place. The pad sits in between the flower petals and the centre ball, so it’s completely hidden and very secure.

Large felt hair flower on a ribbon-covered comb

This one… well, first I was going to keep it. Then I sewed it onto a comb, and remembered that combs really don’t stay put in my hair. But I was worried that it would be too big, so I popped this photo onto Facebook to ask for some feedback. Apparently it’s not too big at all, a friend has claimed it for her own, and I’m in the process of making half a dozen similarly-sized ones to take to the Vintage Night tomorrow!

Yesterday's felt flowers, now dry and ready for brooch pins. More enormous flowers for hair combs on their way!

And this, again from Instagram, is a selection of the flowers I made yesterday. I’m hoping that there’s enough of a range of colours to appeal to lots of people, although from the response I’ve been getting to the photos, I’m hoping that their popularity isn’t going to be a problem!

Oh gosh, that sounds smug, and it really isn’t supposed to. In fact, I’m a little bit overwhelmed about how supportive and enthusiastic people are being. I’ve seen links to my Etsy store shared on forums, received offers of collaborations, and everyone’s just generally being lovely. I think I’m gradually starting to whittle down my making into things that I’m really happy with – so the fact that other people are happy with them too is the icing on the cake!

Full Moon, Full Brain

Full Moon. Allegedly.

I happened to be awake at around two o’clock this morning, and was amazed by the brightness of the full moon. It was absolutely beautiful, and if we still lived right next door to the lake I’d have been very tempted to go for a little walk. I’m not sure why I thought this photo would express the magnificence of last night’s lunar spectacle, but it’s the best one I managed to take! Sad, really.

(It was two o’clock in the morning, don’t forget!)

As always, I’m at least two ideas ahead of myself, and I was lying awake thinking of all the things I’d like to be doing if I had either time or the money – preferably both!

Thing Number One is a cosmetics project that’s been lurking around the back of my brain for a very long time. I’m thinking that some kind of little Kickstarter-type of enterprise might work for this one though, as the thing that’s currently preventing me from doing it is having enough cash up front for certification assessments and a bulk-buy of ingredients. The idea is a (probably quarterly) Cosmetics Club, where you could pay a subscription to receive a lovely box of goodies four times a year. I was originally considering monthly, but several people have pointed out that a month isn’t very long to use up a box full of bath and body products, and also it doesn’t give me much time to experiment with recipes and make sure I’m sending out the loveliest things!

The whole thing would be branded as part of Mr & Mrs Magpie’s Inexplicable Emporium, complete with faux-Victorian packaging and a story to go with each item. I’m looking forward to that part just as much as I am to developing the products themselves! The main question really is where to start. There are three certification packages available:

  1. Lip Balms
  2. Body Balms, Butters & Oils
  3. Bath Bombs, Melts, Milks & Salts

The second two are probably the most versatile in terms of what I’d be able to make following a single assessment cost, so it’s really a matter of which to choose first – and then encouraging enough people to support the project in advance, so I can actually go ahead and pay for it.

Thing Number Two is MORE HATS!
I’ve been having some quality issues with the felt hoods I’ve been using to make the hats. I don’t think it’s a problem with my current supplier, I think it’s just a problem with machine-made felt in general. I have a number of experiments I want to try out in terms of making my own felt:

  • Will the merino tops I’m using to make all these flowers be too soft to make a good hat?
  • Will it look too “home made”, as opposed to fabulously and uniquely hand-made?
  • Can I get an entire cloche hat out of one carded batt of more hardwearing fibres?
  • Do more hardwearing fibres only come in “sheep colours”?
  • If so, can I dye enough wool myself, using natural dyes? Or will they be too muted for my liking?

You can see I have a lot to think about! This one’s a bit easier than the cosmetics project in that the materials are a lot cheaper, and I have enough fibres already to answer at least two of these questions without having to buy anything new. I just need to find the time to do the experiments, and risk ending up with a little pile of horrible hats if it doesn’t work out!

Thing Number Three (did I even mention three things?) is also hat-related, and it’s MORE HAT BLOCKS! Today I received an email from Guy Morse-Brown with the preview details for their newest hat blocks.

Oh. My. Goodness.

I’d been pondering how to make some different cloche shapes by re-shaping the hats as they came off my existing blocks… but now I find I can buy not only two new sets of brim blocks which are already exactly the shapes I wanted (and which will fit together with the blocks I have already), but there’s also a single-piece cloche block which is simply STUNNING. The down side, of course, is that I’m going to need to find the best part of a thousand pounds in order to buy ALL THE THINGS, which obviously I don’t have. (Or less, obviously, if I don’t try and buy it all at once.) But I’ve been mentally designing hats for exactly these blocks for a while now, so it’s very exciting to discover that they’re actually available!

The plan for right now though, is to concentrate on getting as many hats as possible ready for my Indoor Market on Sunday. Anybody local to Reading, it would be lovely to see you at the Corn Stores! I’m bringing along a nice big mirror so you can try on all the hats, and I’ll be taking orders too.

I will be closing the Etsy store for the day, just to make sure I don’t accidentally sell anything twice, so don’t panic if you try to visit and find me gone! I’ll be back on Monday, once I’ve updated the listings for anything that’s sold.

Felted Flower Experiments

Cut-and-sew felt flower

Whilst the feedback on all of my hats so far has been very positive (thank you!!), there’s one enquiry that’s come up several times now: “will we be able to buy the felt flowers without a hat?” The answer, of course, is yes! But I do need to work out the best way of doing that – both for me in terms of making the flowers, and for you in terms of offering lots of choice.

Cut-and-sew felt flower

So, to that end, I’ve been doing lots of felt flower experiments. The two pictures above are of my attempts to cut out petals from a wet-felted sheet, and then sew them together again to make a flower. This did not go well. It turns out that if I’m making felt, I’d actually prefer to wet felt the flower itself, in one go.

Wet felted flowers

So that’s what I did next! It turns out I have a bit of a problem with size though… these are all smaller than the monster flower that I made for Nicola’s orange hat, but the smallest one is still almost the size of my hand. They just seem to naturally want to come out big!

This is fine by me, as I think a huge great flower on a brooch or a clip or a hair comb would make a fantastic statement! But of course not everybody wants to show off as much as I do, so I thought I’d better try and make some smaller ones as well.

Needle felted hair flower

So, here’s a little needle-felted flower, attached to a large bobby pin. Much better! It fits in the palm of my hand, and the flower is light enough that it’s not going to pull the clip out of place.

Needle felted hair flower

This is the second one, playing with adding a bit more colour to go with the felted ball in the centre. I have a few of those that I made during a session with the children at work, so now I’m choosing colours and designing flowers to go around them. This one’s already sneaking up in size though, so I need to make sure that these stay dainty and don’t get too big! I also need to practice my needle felting technique, as I’m not quite convinced about the texture of this one. Maybe a finer needle would do the trick.

So, watch this space, as I suspect there will be lots more flowers to come!

More flower than hat…

Nicola's ORANGE hat!

So, this is what happens when you order a hat in BRIGHT ORANGE, and then give me free reign to decorate it however I like. I blame Nicola, for agreeing that a massive “alien flower” would be a good thing to wander around wearing on her head.

Nicola's ORANGE hat!

I have to say that I have absolutely LOVED making this. The opportunity to use a nice bright base colour, and the freedom to make something that I thought Nicola would like, has been really enjoyable. As has the process of making the felt itself. I’m learning something new every time I work with wool in this way, and I’m so excited about the possibilities. It’s good for me too – it keeps away my perfectionist streak, as there’s no such thing as “perfect felt”, and it changes all the time as you’re working with it.

Nicola's ORANGE hat!

The centre of the flower is circled with bright orange bullion knots, to draw the colour back into the hat. The process of stitching through handmade felt is incredibly satisfying – almost therapeutic, somehow.

I had to take a bit of a break from felting today, as my shoulders and neck were complaining about all the rubbing and rolling, but I can’t wait to get back to it. My next day not-at-work is Tuesday, and that’s most definitely going to be another felting day!

At long last – another new hat!

Pale grey cloche hat with blue beaded felt flower

It wasn’t until I came to upload this hat to the Etsy shop that I realised it’s a whole month since I added the previous one. How on earth did that happen?

I’ve been doing a lot of thinking about the hats (too much thinking and not enough doing, clearly!), and I think in April (when I formally register Eternal Magpie as a business again) I’m going to move these hats out of the Inexplicable Emporium and over to an Eternal Magpie branded Etsy store. I think that will allow me to have a bit more creativity without having to shoehorn them into the faux-Victorian theme… and if I make anything properly crazy or very obviously Steampunk-inspired, then it can go into the Emporium if that’s where it fits best.

Felted leaves and tendrils

I’ve been having a bit of a play with felt again, with a view to the hats having a lot more handmade embellishments, rather than only ribbons and buttons. I think that lends them a certain uniqueness – anyone can go to a shop and choose a pretty ribbon and a striking button, but only I can make these exact flowers. Sure, there are a million and one felted flower tutorials out there, so I can’t claim any uniqueness in that. But these flowers will have come out of my hands and my imagination, and that will hopefully make these hats stand out a little from the many other cloches out there. Typing “felt cloche hat” into Etsy currently returns 1,869 results, so I need to make mind stand out somehow! They’re currently on pages 1, 2, 3, 5, 6 and 7 (out of 47) of that search, so not bad, but anything I can do to make them that little bit more interesting will definitely help.

I also want to make a few smaller things, such as hair clips, to offset the fact that yes, these hats are going to be expensive when the prices go up in April, and yes, they’re going to be outside of many people’s budgets. I’m hoping that people might start by buying a hair clip with some pretty felted flowers on it, and like it so much that they save up to buy a hat. Well, a woman can dream!

 

Experimental Afternoon

Failed felting experiment

I had one of those “brilliant ideas” just as I was falling asleep last night, so I rushed home after work this afternoon to try it out. It turned out not to be as brilliant as I’d thought, which is often the case! I’d been contemplating the possibility of felting loose wool fibres onto the pre-made felt hoods that I’ve been using to make the hats. I hadn’t seen that method of working in books or online anywhere, so I thought I’d give it a go.

I tried needle felting first, with a piece of leftover wool yarn. Coarse needles worked, with a little effort, but left unsightly holes in the front of the work. Fine needles resulted almost immediately in a break – the needle just wasn’t strong enough for the dense machine-made felt.

Failed felting experiment

Next I gave wet felting a go. Admittedly I’ve used a very small amount of wool here, but again it just didn’t really work. The fibres are starting to felt to themselves, but they’re not even thinking about meshing in with the darker felt underneath. I guess it’s finished too smoothly for the top layer to grab on to.

Failed felting experiment

The yarn and the merino fibres also started to hold on to one another very nicely, but you can see that they’re just not even slightly attached to the bottom layer.

It’s possible that with a lot more fibre and a lot more effort, this technique might work. But to be honest, if I’m going to have to go to a lot of effort, I’d much rather be making my own felt completely from scratch. That was always the plan anyway, I just wanted to see whether there was an interim method between machine-made hood and handmade felt. Apparently not!

Salt dough experiment

This is how the experimental salt dough looks now that it’s dry. I haven’t baked it – I left it at work while I was off sick for three days, and it’s dried itself out nicely in the meantime! It’s lovely and white, but the salt does make it look a little grainy. The backs of the pieces are rather rough, and I’m not completely convinced it will survive being sanded. I also want to test a few pieces to see how brittle they are. There’s no point making a pendant or a pair of earrings that are going to snap the first time you bump them – or that might dissolve the minute they get damp! So I need to experiment with painting and sealing them too. Oh, and drilling holes in them. I should really have poked holes with a cocktail stick while the dough was still wet, but I’m hoping they won’t snap under the pressure of a hand drill. Another fun experiment to try!

2013 round-up

I am 40!

Well, 2013 has certainly been a very interesting year!

My formal diagnosis with fibromyalgia came right at the tail end of 2012, but it’s coloured the whole of 2013. My health this year has been dreadful – not being able to sleep, not being able to walk, not being able to manage the pain – but I’ve just had to keep going regardless. What else is there to do? Of course I’ve done my fair share of complaining about it, but at the end of the day all I can do is carry on and do my best.

Farming cycle

Things at work have also been interesting… my role changed quite dramatically in March, when I stopped working every weekend and increased my hours to work a job-share rota as Visitor Services Assistant. This year will be even more interesting, as a lot of physical changes are happening to the museum itself (thanks to Heritage Lottery funding), but I have no idea yet how this will impact my role.

First Frost

Our home life has seen perhaps the most interesting change of all, in that we now live in a new house! This was not something that we had been planning, but once the decision was made to look for somewhere new, we’d put in an offer on a bungalow in a matter of days! We then had to wait several months for the sale to go through, and getting to know the new place has not been without its trials (nicotine stains, dog hair, malfunctioning drains, a door that keeps falling off its hinges…), but we’re gradually making it into our own place.

The overall feeling of 2013 has been one of resting, nesting and hibernation. So much of the year was spent waiting for the house move to happen that I feel as though I’ve done hardly anything creative with my time. Looking through my photos reveals that’s not actually true, so here are a few highlights of what I’ve been up to.

Mrs Magpie

The beginning of the year was mostly taken up with building Mr & Mrs Magpie’s Inexplicable Emporium! Our first event in May was at a Steampunk festival in Frome, which was really a test to see how our offerings would be received. We learned a lot from watching people’s reactions to the stall, and it was successful enough that I decided to carry it on as an Etsy store when we came home. This year has been all about the market research, and I’ve learned a lot about how I both do and don’t want to run a business in future!

Airship Fresheners - tealight sample pack

The key to the Emporium has been two things: Diversity and Branding. They might seem mutually exclusive, but (finally) putting my typography degree to good use to create a coherent brand has meant that we can include all sorts of seemingly unrelated things into the Emporium, and they all look as though they belong together. We also discovered that the faux-Victorian theme can work outside the Steampunk community, being well-received at a local charity stall just before Christmas.

Some individual products have worked better than others in terms of popularity and sales, and some have worked better than others for me in terms of what’s required to make them. I’ve learned that I enjoy working in small batches, but don’t like making custom orders. I’ve really enjoyed writing the little blurbs to go on the labels for each piece, but really hated making the Harris Tweed Cufflinks. (They’re beautiful, but I cut my fingers to ribbons as I made them!)

Having taken the time to do this preparation and research, I’m pleased to say that I’ll be formally setting up as a Sole Trader again in April, and running the Emporium as a proper business from then on!

Felted Hat

I’ve done a little bit of more ambitious felting this year, making a hat, a pair of slippers, and a number of small experimental pieces to try and get the hang of felting in three dimensions. There’s something really satisfying about the nothing-into-something aspect of felt making, even more so than with sewing. You’re starting a process completely from scratch, with nothing but a bit of fluff from a sheep’s back, and ending up with a (hopefully) beautiful piece of fabric or a three-dimensional object. I have a huge bag of wool sitting in a cupboard, waiting for me to find a good space in the new house for making a mess with fluff and water and soap. I’ve also ordered a set of hat blocks from Guy Morse-Brown, so watch out for hand-felted cloche hats coming this way!

Tea dyeing

My natural dyeing experiments have been a bit hit and miss, to be honest. Reluctant to experiment with chemical mordants, I restricted myself to working only with substantive dyes to begin with… which basically means tea!  Not having a great deal of use for miles of beige fabric (although I am currently making a smocked dress from the silk shown above), my future dyeing plans are now more long-term. I want to do lots of research into dye plants that will grow in my new garden, and then begin the process of planting and harvesting and dyeing. Realistically it could be two years before I have my first crop of dye plants ready to use, so this will be a continual background project for a while.

My first handspun!

This little ball of goodness is my very first handspun yarn, made on a borrowed drop spindle. I’ve since bought my own spindle, and borrowed the spinning wheel from work, although I haven’t made a great deal of progress with either yet. Spinning brings with it the same sense of satisfaction that I get from felting – of being involved with every step of the process. I had fluff, now I have yarn, soon I can weave or knit or braid and make a whole new thing!

Going back to basics, unburdened by the demands of making things for other people, or without even considering the finished product at all, has been really important for me this year. Being able to immerse myself in a process, learn different techniques, and see where they take me, has been really liberating.

Mostly, I seem to have started a lot of things that I want to carry on with and learn to a much deeper level over the coming months. I’m planning to divide my time away from work between developing the Emporium to keep the sales coming in, and carrying on learning and testing and making things with wool and felt and fabric. I hate to use the word “whimsical”, it having been mocked so soundly by Regretsy, but that’s the direction I want to follow. Felting, spinning, dyeing, embroidery, beading, knitting, sewing… the theme for this year is to take my crafty skills, and turn myself into a Textile Artist.

Quite how this is going to happen I have absolutely no idea at the moment, but I’m guessing that sitting on the sofa, wrapped in a fluffy blanket and scoffing the last of the Christmas chocolates as I poke the computer isn’t going to make me a great deal of Art. Time to get up, and get on with it!

Felted layers

Felted brooch bases

Progress on the fleecy hats is slow. Hand-sewing the bands and brims is taking about half an hour per hat, and there’s a limit to how much I can do in one go before my hands start to complain.

I’d been thinking about making some felt brooches, so not being one to do things by halves, here are twenty-two little circles. I had planned to work blanket stitch around the cut edges, but I actually really like the way you can see all the layers of colour showing through.

They’re made from half a dozen rectangles of wonky, uneven felt that I made as practice pieces. They’d been sitting in a cupboard for about a year, gathering dust and moths, so I decided to chuck them in the washing machine and see what happened. After a quick whiz through a hot wash and a tumble dryer, they’d shrunk down from about A4 size to about A5, become nice and thick, and developed a lovely crinkly texture.

I have some little pieces of Harris Tweed that I’m hoping will needle felt nicely onto the top of the circles, perhaps with a little button each to finish them off. (And a pin on the back, of course.)

Much as I love the bright colours in these, I can also imagine them in nice muted, natural, sheepy shades. Maybe with some Wensleydale curls and semi-precious stones stitched on top. Something to think about after Christmas, definitely.

Experimental Hat’s first outing

Felted hat

Turns out it’s quite difficult to take a photo of yourself in a hat – my arms aren’t long enough!

I took the hat for a test-drive this morning, after I’d spent a while blasting the brim with a hairdryer to make sure it was properly dry. It took ages to get all the pins out, and it was half way through the day, when I was showing the hat to a friend, that I inevitably found the one that I’d left in. Thankfully I discovered it before I stabbed myself in the head!

Felted hat

I do need to stab the hat slightly though. Now that I’ve worn it a bit, the brim has succumbed to gravity and the corners have started to stick out in a way that reminds me of the leaves of a cabbage! It’s also got a slightly thin patch on the top, which is covered by one of the long parts of the brim, so I think a bit of needle felting will help to overcome both of those issues.

So far I have been described as looking like a flower fairy and a “woodland creature” in the hat, so as far as I’m concerned, that makes it a complete success!

Experimental hat

Felted Hat

I’ve spent all week thinking “I must get around to doing a bit of felting”, so today I got out some fluff and some soap, and got on with it. This is three layers of merino tops – dark brown on the bottom, a light tan in the middle, and a sort of a foxy-coloured orangey layer on the top.

Felted Hat

I’m always surprised by how quickly the felt actually comes together when you make the layers nice and thin. Perhaps because my initial experience with felt was making it with kids, who tend to whack a ton of fluff down any old way, no matter how carefully you explain “thin layers” to them! There again, I’m always surprised at how long the fulling part takes. As soon as my felt’s holding together I want to call it finished, and I’m always a bit disgruntled when it isn’t.

Felted Hat

Once the felt was made, and fulled a bit, I decided to get out my hat block from Wingham Wool Work, and try to make a hat. If I’d known at the beginning that I was going to make a hat, I’d have made the piece of felt round instead of square! I did a lot of the stretching and shrinking by hand and with my trusty wooden soap dish, all the while thinking “I wish I had a palm washboard” alternated with “I wish I’d just bought a felt hood“. Eventually I resorted to the ironing board, and discovered that steaming the living daylights out of the felt with the iron worked really well!

(Although I also discovered that I hadn’t actually washed all the soap out of the felt, so my Shed now smells of hot, soapy sheep. Could be worse, I suppose.)

Felted Hat

And here’s what I’ve got to show for an afternoon’s work – a funny, felty, foxy sort of a hat.

I thought about cutting away the excess, or trying to neaten it up into some kind of tidy brim, but I really like the raw “unfinished” edges of the felt, and the way you can see all three layers of colour this way. I’m hoping that once the hat is dry, the pleats and folds will stay in place, but I suspect that I’ll actually have to stitch them. Which is fine, because I can take the opportunity to embellish the hat a little bit more as I’m working on it.

The last thing I’ll need to do is add an elasticated band inside the hat. That way it should mould to my head nicely (the polystyrene form’s a little bit too big for me), and it should be less likely to pull out of shape as I wear it.

Now I just need to convince myself that I don’t need a lovely wooden cloche block. The polystyrene one’s fine. Really.