Arthralgia

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While I was on holiday, something a bit odd happened. A couple of times, for no particular reason, I found myself wishing that I’d taken my walking stick with me, because out of nowhere I was suddenly too exhausted to walk without it. When I got home I seemed to be better, and managed a normal day at work last Friday. Then I woke up on Saturday morning unable to walk without a stick again, and with pain in every joint of my body.

On Monday I shuffled over to see my doctor, where the magic word of the day was ARTHRALGIA. This means that there’s pain in all my joints. Which I knew already, thanks. I’ve had blood tests done, looking at thyroid function and inflammation markers, and they’ll come back next week. Every time I’ve had those tests done before they’ve come back within “normal” limits, so I have no doubt that these will be the same. All my doctor could say was, “maybe it’ll go away”.

Well, maybe it will, and maybe it won’t. Maybe I’ll be fine for months, and then one day I won’t be able to get out of bed because of the pain.

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The trouble with pain is that, like depression (from which I also suffer), it’s invisible. Unless you’re openly weeping, or covered in gaping wounds, the general assumption is that you’re fine. I mean, you look fine, so how bad can it be?

Well, the trouble with pain is that it varies. One day you might be able to go to work as normal, the next you might not be able to get out of bed. It’s also subjective. A pain that might cause one person to merely sigh and reach for the paracetamol might leave another person bedridden. All of which makes it very difficult to explain that yes, I may have been fine yesterday, and I may look fine, but today I just can’t make my body work.

This is why I don’t have a full-time job. Even though I look fine, I’m just not well enough to travel to another place and stand up and talk to people for forty hours a week. At least working part time, I can try and make sure that I get enough rest while I’m at home, so that I can get through my working days without hurting myself. The difficulty comes when I’m ill on the days when I am supposed to work.

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Obviously everybody sometimes has time off because of illness, but if it’s just everyday things like coughs and colds, it tends to be just a couple of days here and there. Maybe a week. In fact I only took a week off work after my last hip operation! But I might find that this current bout of pain lasts for another week, or a month, or six months, or who knows how long. And taking lots of time off work because of a mystery illness, when you look fine, and can often do other, gentler, things when you’re at home, leads to resentment from the people who have to cover for you at work, disciplinary action if you’re perceived to be taking too much time off, loss of trust if you suddenly become unreliable, and all sorts of other unpleasant things. I’ve lost count of the number of jobs I’ve resigned from, having been told that I’d taken too much time off sick, and having been made to feel no longer welcome as a result.

Of course, it’s easy to understand that no employer wants to be constantly having to find cover for an employee that’s hardly ever there. Employers need employees who are physically and mentally capable of doing the work set out for them, and they have every right to expect that. But where does that leave me? I am capable of doing the work… but not all the time. I’m reliable and hard-working… when I’m well. And unfortunately, it’s impossible to predict when I’m going to be ill, or how long the illness might last.

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I’ve been really lucky during this past year, in that my most recent surgery has left my health very much improved, and I’ve been able to find and keep a job that I’m really enjoying. But if this current development doesn’t pass quickly, I don’t know how things will work out. Like so many people in my line of work, I’m employed on a temporary contract, and my employers would be well within their rights to replace me if I’m no longer able to do the work that they need me to do. Even freelance work isn’t any better, because I might be simply unable to guarantee that I’ll be well enough to work on the appointed day.

Recently I’ve been applying for traineeships and internships and looking at professional qualifications that might enable me to build on this new career that I’m enjoying so much. But if I’m not going to be well enough to actually go to work, then what on earth’s the point? I can get myself as many qualifications as I like, but if the state of my health won’t allow me to get out of bed then it’s nothing more than a vanity exercise, not to mention the most enormous waste of time and money.

Perhaps the pain will pass in the next couple of days. By the time the blood test results come through, I could well be completely fine again. But if I’m not? Who knows how long the pain will last, or what I’ll be able to manage. Perhaps it’s time to re-think some of my plans.

(Why the doll pictures? Sitting in bed and needle-felting her hair was about the most strenuous activity I could manage today, and I still hurt my hands doing it. But being able to make something, or accomplish one small, simple task, even when I’m ill, helps to reassure me that I can still achieve something.)

Broken

Broken

I’m really going to have to stop lending things to people. I took her for a trip to the theatre on Sunday, and a bit fell off. She wasn’t designed for such intensive use, poor thing.

Waltz on the Wye – Sunday

Sunday

On Sunday it was very cold, and I was very tired. I honestly thought I was smiling in this photo. Apparently the smile didn’t make it as far as my face! In case you’re wondering, the stones in the wall are level, but the bench is on a slope.

(All benches in Chepstow are on a slope. In fact all of Chepstow seemed to be up a hill. In every direction. It certainly felt like it by Sunday, anyway.)

This was my least successful outfit of the weekend, or at any rate the one I was least happy with. I couldn’t face wearing my bowler hat (too tight) or my top hat (too big) again, so I borrowed Paul’s cap. The jacket (McCalls 5759looked fine on the dressform, but turned out not to fit me terribly well. In fact I disliked it so much that it went to Oxfam along with the previous night’s dress.

We spent the morning looking at the contraptions exhibition, which was incredibly inspiring. The competition part of the proceedings was won by Richard’s beautiful pocketwatch. Chatting with Richard and Donna later that day left us full of ideas that we really must try out…

Sonic Screwdriver

I successfully nagged Paul into making a little contraption for me, and I’m hoping that next year I can encourage him to enter something into the exhibition himself. This started life as a Sonic Screwdriver projector toy. After some mysterious shenanigans with Milliput, wargaming model parts, and a detailed paint job, it turned into this lovely little thing!

Sonic Screwdriver

This was our one concession to sticking a watch part onto something. I take full responsibility.

We spent Sunday afternoon in the Drill Hall, looking around the market and listening to some of the talks. We started off with The Atomic Chemist’s slideshow about firearms. It was enjoyable, but became much more interesting to me when we came home via the Pitt Rivers Museum, and I could see exactly what he’d been talking about as we looked at their gun collection. We then stayed for Crinoline Robot‘s talk about Victorian and steampunk knitting, which was by turns informative and hilarious! I can’t wait to knit her scandalous Victorian ankle-less socks, designed especially for the event.

Sadly we missed Mark Cordory‘s Q&A session, mostly because we didn’t recognise his name until after we’d seen his contraptions, by which time it was too late. He used to be Head of Props Fabrication for Dr Who, during the Ecclestone and early Tennant eras, and the quality of his work was just lovely. We did manage to catch Will Segerman though, and his talk about quick-and-dirty ways of making great looking props was good fun. (And packed!) We came away from that one with lots of notes and ideas, well worth sitting in a horribly warm room for an hour!

Waltz on the Wye was our first steampunk event, and we went into it not really knowing quite what to expect. I was only really interested in the dressing up (anachronistic Victorian-ish clothing? yes please!), and I’d hoped that Paul might be interested in the contraptions. As it turned out, Paul was more interested in dressing up than I’d expected, and we’ve both come away inspired and enthusiastic. Everyone we met was friendly, helpful and open, which is a lot more than I can say for certain other events that we used to go to. The willingness of people to share their knowledge was just lovely, whether it was the best place to buy a pith helmet or an interesting way to make a contraption.

I really hope there’s another one next year, I can’t wait to go back!

Waltz on the Wye – the Cabaret and Ball

Waltz on the Wye by PP Gettins
Photo © PP Gettins

This is our official Waltz on the Wye ball photo, taken by the official photographer Pete Gettins. Isn’t it lovely? The photo booth was set up in the Drill Hall, and there were lots of brilliant props to choose from. We had our photo taken very early on in the evening, which was just as well, as I suffered a slight dress disaster later on!

Do have a look at Pete’s official photos – they give a really good sense of what the atmosphere of the weekend was like, as well as showing how fabulous everybody looked!

Saturday Evening

And here’s the dress in glorious technicolour, taken on Paul’s iPhone. He didn’t bring the Canon to the ball, as it had steamed up the night before, so it seemed more sensible to leave it behind. The gold trim on the hem does go all the way around (five whole metres!), but I didn’t wear the original shoes that went with the outfit, despite having given them three coats of gold paint and glitter. I wore my gold Fairysteps boots instead and, being completely flat, they made the dress a bit long.

Saturday Evening

And here I am, trailing my dress in the gutter. How glamorous. But given that I’d already trailed it the entire length of Chepstow high street, I didn’t think it mattered too much! Unfortunately the length of the train was the cause of a slight wardrobe malfunction. I walked away without realising that Paul was standing on the back of the dress… and the stitching broke, leaving several inches of suddenly unpleated fabric flapping around at the waist. Oops!

Whilst I did enjoy the cabaret acts, there were a few technical difficulties, which was a shame. All of the acts were very entertaining to watch though, and the compere kept us all amused during the moments of technical wonkiness, so full marks for professionalism to Lily Belle. I think my favourite performers of the evening were Hazey Hoop, and The All Electric Music Hall.

After the cabaret Paul dashed back to the hotel to fetch safety pins, arriving back at the Drill Hall just in time to see Professor Elemental. Who was brilliant. Absolutely hilarious. Best act of the night, by an extremely long way! Anybody clever enough to invent an impromptu rap containing the word antidisestablishmentarianism on the spot, gets a huge round of applause from me!

Waltz on the Wye by PP Gettins
Photo © PP Gettins

After Professor Elemental had left everyone in the mood for dancing, Gwilm obliged with a typically eclectic DJ set. Putting the punk back into steampunk, I think Pete caught me dancing to the Sex Pistols. In a giant ball dress. As you do. (If you look closely, you can see the safety pins holding the waist of my dress together!)

Sadly all that dancing was the cause of another dress malfunction, as one of the steel hoops escaped from its casing. Fifteen years in the loft had caused the lining to become brittle, which I hadn’t realised until I stepped on the hoop and the internal workings of the dress came to bits! Rescued again by more safety pins, the dress just about held out until the end of the evening. It also caused a comedy moment when we got back to the hotel. We had to go through the bar to get to our room, and just as we were walking past the gents, a very drunken man emerged, looked at me, and simply exclaimed “bloody hell!!”! I guess he’s not used to going to the pub and encountering a woman wearing a ball dress that’s wider than the corridor…

The following morning I surveyed the damage to the dress and decided that it was just too much for me to fix. I snipped the remaining stitching holding on the satin overskirt, and bundled the five metres of horribly filthy fabric into the bin. I then carefully replaced all the flowers over the freshly revealed ivory dupion skirt, and packed it up in its original bag, complete with the matching shoes. It’s now been donated to Oxfam in Chepstow, looking like a wedding dress again. Hopefully it’ll go to a good home – or perhaps I’ll see somebody wearing it to Waltz on the Wye next year!

Waltz on the Wye – Saturday

Saturday

Saturday was mostly spent at Chepstow Castle, exploring the site and looking at the extremely inspirational contraptions exhibition. We also ate some very good pies at the Chepstow Castle Inn. (Mmmm, pie…) Paul went to Professor Elemental‘s chap-hop workshop while I mooched  slowly back to the hotel, stopping at all the antique and charity shops on the way.

Saturday

The two skirts are from my own patterns. The waistcoat’s Style 1815, in a lovely shot silk, and the jacket is Vogue 8299. Even for a cropped style, it came out a little shorter than I’d expected! At least it shows off the waistcoat nicely though, unlike the shirt (TM Lewin) and bow tie (Kwik Sew 3183) which remained sadly unseen. The brooches were a gift from Miss Alice, and I knitted the mittens in a tearing hurry, casting them off on Friday morning before we left. They’re made from Rowan Felted Tweed. Boots (Moonshine) and handbag (Elder) from Fairysteps, of course!

Saturday

Lesson of the day? Just because your skirt pockets are big enough to hold an A5 book, a folded pillowcase, a small bottle of hazelnut liqueur, a pair of mittens, several oddments of haberdashery and a little pile of business cards, it doesn’t mean that you should shove all those things in at once. Especially not if the waistband’s elastic. Yes, once again, I embarrass myself so you don’t have to!

Waltz on the Wye 2012 – Friday

Friday

We arrived in Chepstow at lunchtime on Friday. After we’d settled into the hotel and had something to eat, we got changed and went off to explore. I checked out Chepstow Castle with my sonic screwdriver. As you do.

Friday

I only saw five of these coats over the weekend, including my own! This was a bit of a surprise, because I’d expected to see lots of people wearing outfits made from Simplicity’s steampunk patterns. Too obvious, perhaps? The coat is Simplicity 2172, and the skirt is Simplicity 2207. I learned the hard way that it’s not a good idea to walk around on wet grass, in the rain, in a floor length velvet skirt. By the end of the night it had soaked up what felt like all the water in Chepstow, and my shoes and socks were soaked through as well. The skirt still wasn’t properly dry when I brought it home three days later, but thankfully it seems to have survived a trip through the washing machine and tumble dryer relatively unscathed!

Friday

I also learned the hard way that when you accidentally drop your beautiful new sonic screwdriver onto the pavement, bits can break off. Oops…

My absolute highlight of Friday evening (and indeed of the entire weekend) was Morgan & West’s magic show. A pair of Time Travelling Magicians who’ve fooled Penn & Teller, they were extremely clever and absolutely hilarious!  At the beginning of they show they explained that there would be a lot of audience participation (argh!), but promised that they wouldn’t embarrass or humiliate anyone. They were true to their word, and the show was funny, exciting, and extremely clever without ever resorting to being shocking, sweary or gory. (The only thing I didn’t like was the needle-and-thread-swallowing, but that’s just my own personal squeamishness.) I loved the part with the apple and the shoe, and the trick which looked as though we were being shown how it was done but we actually weren’t. I’m not sure how descriptive I can be about a magic show without venturing into the territory of terrible spoilers, so you’ll just have to believe me when I tell you that they were absolutely brilliant!

After the magic show we headed out into the rain to grab something to eat from the Strumpets with Crumpets (goat’s cheese and blackcurrant jam, yum!) and to watch the end of Boxcar Aldous Huxley‘s set in the bandstand. Any band with a french horn player usually gets my vote, but add a harmonium, saw, banjo and euphonium, and you’ve got a very interesting sound indeed!

We went back to the Drill Hall for the headlining band, Rogora Khart. A sort of bonkers Welsh Russian circus punk folk band, with clown make-up and a bellydancer. It took me a little while to get the hang of them, I must admit, but by the end of the evening I was really enjoying the music. Although Paul says I’m not allowed to learn to play the Bombarde. Meany.

Inexplicable Emporium

Inexplicable Emporium Poster

So, Paul and I came back from Waltz on the Wye with an idea…

Beautiful Buttons

…that seems to be turning into a reality!

Paul Smith – Kraken Hunter

Paul Smith - Kraken Hunter

This is Paul at Chepstow Castle, part of Waltz on the Wye 2012. Despite being May, the weather was absolutely freezing, so he hijacked my new Clapotis for most of the weekend.

Paul Smith - Kraken Hunter

But what was he hunting with his camera, high up in the remains of the castle?

Kraken at the Castle

Why, the Kraken, of course!

Paul Smith - Kraken Hunter

When he wasn’t off adventuring, he dressed smartly for an evening’s entertainment at the Drill Hall.

Paul Smith - Kraken Hunter

Both waistcoats are from the Harlots and Angels Sweeney Todd pattern. The brown one is moleskin, the grey is pinstriped denim. They’re a little bit big, but they pull in nicely with a little corset-style lace-up belt at the back.

I had a bit of trouble with the pattern (the amount of interfacing needed wasn’t clear, and the construction method seemed unnecessarily complicated), but once I’d decided to ignore the instructions and just sew, they were easy enough to put together. Because my sewing machine refuses to make buttonholes and I didn’t have time to do them by hand, each waistcoat is fastened with poppers and the buttons are sewn on top.

Thankfully I took a sewing kit with me, because I made the grey waistcoat in such a hurry that I’d sewn half the poppers in the wrong place! That was easily fixed, and the sewing kit came in handy a few times over the course of the weekend.

Paul’s usually extremely averse to dressing up, but he was so comfortable in these waistcoats that he’s thinking of wearing the grey one to business meetings instead of a suit jacket. I call that a sewing success!

Silky Tweed Clapotis

Silky Tweed Clapotis

This is my fourth Clapotis, in Rowan Silky Tweed. It’s taken me more than a year to knit it, because I kept getting sidetracked by more interesting projects along the way. I wore my Rowan Tapestry clapotis ever such a lot over the winter, but it doesn’t quite go with all my clothes. This nice neutral grey should hopefully fill in the gaps. Although it’s a bit heavier than the Tapestry, the silk gives it a lovely drape.

I knitted this one back-and-forth on a circular needle, and that helped to alleviate the terrible wrist pain I’d had from the previous one. Because you can keep the weight of the weight of the knitting in your lap rather than on the needles, it’s a lot easier to manage.

Silky Tweed Clapotis

I was spurred on to finish this one by the fact that I’m going on holiday soon, and I’m going to be spending quite a lot of time outdoors. I’d rather hoped that in the middle of May I might need to be taking sandals with me, rather than an enormous scarf, but this is England, and the weather’s nothing if not unpredictable. I should probably thankful that I’ve also knitted a matching hat.

First Birthday Dress

First Birthday Dress

It was my niece’s first birthday last week, so of course I wanted to make her a little party dress! I was very tempted to make something very floofy and over the top, but given that her primary means of locomotion is crawling at high speed, I decided it made more sense to sew something that she could move about in.

This is Butterick 3772, in the smallest size. The fabric is half a metre of Alexander Henry, which I bought because I fell in love with it a couple of years ago. I’m glad it’s finally made its way out of the stash and been put to a good use.

Milly's First Birthday Party

As you can see, the dress saw a lot of action at the party!

I have lots of little pieces of interesting and unusual fabric in the stash, so I can feel a few more of these simple little dresses coming on. I’ll wait until she’s a bit bigger before I go for the full-on floofy party dresses, I think.