Natural History Museum

Natural History Museum

A couple of Saturdays ago we went to the Natural History Museum. We booked tickets for the Wildlife Photographer of the Year exhibition (which was the reason we’d made the trip), and also booked ourselves onto a Spirit Collection Tour. There are a few things-in-jars on display in the new Darwin building, but the 30-minute behind the scenes tour was absolutely AMAZING.


Photo © Natural History Museum

The first room was quite like library storage, full of floor to ceiling grey metal shelves. There was a little map on the end of each row, to show where you are and what’s in each cupboard. We learned that “Xenarthra” is the latin name for the group of mammals that includes sloths, anteaters and armadillos. (There was only one cupboard of those.) My favourite thing was the Victorian onion jar that was full of tiny opposums. Bless. (My least favourite was the stomach contents of a dolphin. Yuk.) Apparently the museum spends a fortune on specialist glassware for the Spirit Collection, so they re-use old jars as often as they can. I’d never seen mammals in a spirit collection before, which was interesting. It hadn’t occurred to me that of course in taxidermy you’re getting rid of all the internal organs and soft tissue, so you need spirit collections to preserve those aspects.

The second room was more like a lab, with shelves around the walls for the jars that are much too big to go in the cupboards. Mostly these contained large fish, or great big snakes in very long, thin jars – hence the need for specialist glassware. There were maybe a dozen enormous closed stainless steel vats, one of which apparently contained a male orangutan that had died recently at a zoo. There were three echinda nestled together in a jar, a rather startled-looking fox, and lots of rays each with a piece of paper tucked inside their gills. The highlight of that room was “Archie” the giant squid. She was stored in a glass tank which ran the entire length of the room. Absolutely amazing. There was also a small cabinet with some of Darwin’s original specimens from the Beagle voyage, which was pretty exciting too.

The tour is free, although you do need to sign up for a ticket in advance. I can’t recommend it highly enough! It’s also inspired me to do some volunteering at my local Zoology Museum, which I’m really looking forward to.

A step ahead

I walked past my local branch of Hobbs yesterday, and spotted this lovely pink dress in the window.

Then I came home and looked in my wardrobe at my pink party dress, which has a very similar keyhole-and-knot detail on the back. Now I don’t need to covet the Hobbs dress, and have thereby saved myself £169. Bargain!

Bree

Bree

This is what came of the yarn I used to dye my hands black last weekend – a little hat.

I emailed Designer Yarns (the distributors for Debbie Bliss in the UK) about the dye issue, and received this reply:

With dark colours, there is sometimes residual dye that has not been removed in the final stages of the dyeing process. There are many reasons for this, but the most important reason has to do with the final backwash applied to remove all traces of residual dye. This is perfectly adequate for the other dyes but in the stronger colours it sometimes leaves a small amount of residual dye. This can be removed by soaking the garment overnight in cool water.

I’d already rinsed the hat thoroughly with tiny bit of wool and silk detergent, and thankfully that seems to have done the trick. I wore it all day at work on Monday, and my ears didn’t turn grey at all!

The pattern is Bree by Britanny Wilson, which is a little skullcap with dangly ends that you can tie into a bow. I’d planned to add a lacy pattern of some description, but I decided in the end just to follow the instructions as written.

I did find what appears to be a mistake in the pattern, so I amended it slightly as follows:
Row 3 – knit all stitches
Row 4 – purl 35, knit 100, purl 35
This keeps the brim in garter stitch and the tails in stocking stitch, which I think is what it’s supposed to be.

Oh, and the mirror, in case anyone’s wondering, was made by Caroline Loveys.

Ayten Gasson & Kiss Me Deadly


Picture © Ayten Gasson

Remember the skull & rose print bra that I made last month? Well, I wore it last week. It was certainly a better fit than the first bra I made, but it still wasn’t all that comfortable.

I have a few ideas regarding underwires, and I thought it might fit better if I gave the bra a much wider band. So I did a search for “longline bra” thinking that even if all the results were frumpy and horrible, I might get some construction ideas that I could translate into pretty fabrics.

You can imagine my surprise then, when one of the first pictures that came up was the one above! Isn’t it lovely? It’s part of the Lady M range by Ayten Gasson. Ayten specialises in vintage-inspired lingerie, all of which is hand made in the UK from silk and Nottingham lace.


Image © Kiss Me Deadly

Another designer that features all manner of pretty things is Kiss Me Deadly. Vintage-inspired again, and with a gorgeous range of shapewear. Most of their items are limited edition, so if you see something you like you need to snap it up quickly!

Sadly for me the longline bra that matches this gorgeous girdle is sold out already, otherwise I’d have gone for the whole set!

Never mind making my own bras, I think I might need to go shopping…